“I'm the only cause I'm interested in.”
He takes the word cause and turns it inward, so his selfishness sounds almost principled.
Neutral
Capítulo 16 de 20 · 2'41"
Ilsa comes to Rick at night to ask for the letters of transit, and Rick answers every appeal with a refusal. He hasn't forgiven Paris, and he says so: 'I'm the only cause I'm interested in.' When she calls him a coward, he offers her the gun instead—'Go ahead and shoot.'
Rick Turns Down Ilsa's Plea
Ilsa slips into Rick's apartment at night and asks him to give her the letters of transit so Victor Laszlo can leave Casablanca. Rick refuses, saying he already went through it with her husband. She pleads, then turns harsh, calling him a coward. Rick offers her his gun and tells her to shoot.
The scene is a love story conducted as a negotiation, and neither side plays fair. Ilsa appeals to the cause and to their past; Rick answers with the hurt he's been nursing since Paris, insisting, 'I'm the only cause I'm interested in.' When persuasion fails she attacks, calling him 'a coward and a weakling,' which is less an argument than a wound aimed at the one place she knows is soft. Rick's reply—offering the gun and saying 'Go ahead and shoot'—turns her desperation back on her. Both of them are daring the other to prove something, and neither can, which is why the scene ends not in a deal but in exhaustion.
A1–C2 es la escala MCER. Las tarjetas por encima del nivel elegido se atenúan y la reproducción no se pausa en ellas.
“I'm the only cause I'm interested in.”
He takes the word cause and turns it inward, so his selfishness sounds almost principled.
Neutral
“Go ahead and shoot. You'll be doing me a favor.”
He turns his own death into a favour, which is how the sentence stays calm and still cuts deep.
Informal
“I thought I would never see you again.”
The line admits how final the past felt, so the reunion lands as both relief and wound.
Neutral
“I'm going to die in Casablanca. It's a good spot for it.”
He talks about his own death like choosing a venue, and the flatness is what makes it land.
Informal
Siguiente · 17Here's looking at you, kidLa escena: Ilsa Explains Why She Left RickHe's still wounded by Paris and now hardens it into principle: he says he went through it with her husband and that it's no deal. He also doesn't want Ilsa to have power over him.
She needs the letters of transit so Victor can leave Casablanca, and she knows the only way to reach Rick is through their past. She comes alone because the appeal is personal: she is asking him, not the cause, to save her husband.
It's a business metaphor: Ilsa's appeal to their Paris romance is a bad way to close the deal. Rick is telling her the nostalgia pitch won't work on him.
He's calling her bluff and showing how little he values his own life. It also forces her to confront what she's willing to do for the letters.
She says one woman hurt him and he takes revenge on the whole world. She's accusing him of hiding from life, not of physical fear.