Whatever Works · 2009 — 第 10 / 16 章 · 5'01" · B2

Marietta Argues and Plays Matchmaker, Explained:the long and short of it

At dinner, Marietta turns a polite conversation into a fight about abortion, while a young actor named Randy falls for Melodie at first sight. Later, Marietta tries to talk her daughter into leaving Boris, calling him "more of an outpatient" than a husband, and quietly starts a romance of her own.

あらすじ

Marietta picks a political fight at dinner and embarrasses everyone, while Randy, a young actor, introduces himself and falls for Melodie on sight. Marietta then tries to push her daughter toward Randy, dismissing Boris as a patient she has to look after. Late at night, she arranges a date of her own.

ArgumentsFamily dinnersComplainingPersuadingParent & childB2mediumamerican
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注目の表現

the long and short of ithave no problem doing somethinghis keeperpoor Brockman

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このシーンの表現

the long and short of it

the gist of it

Arguing with Brockman in the restaurant, Boris ends the debate by summarizing his whole position.

The long and short of it is we just can't afford it.

このシーンの他の表現

  • have no problem doing something

    find something easy to do

  • his keeper

    the person who looks after him

  • poor Brockman

    mock pity for the man

  • reverence for life

    deep respect for life

  • sleep with the light on

    keep a light on while sleeping

このシーンのメモ一覧

87 行のセリフに 24 件のメモ

表現 · B2the long and short of it

the gist of it

Arguing with Brockman in the restaurant, Boris ends the debate by summarizing his whole position.

Abortion is murder, that's the long and short of it.
表現 · B2waste one's breath

talk with no effect

Why are you wasting your breath, Brockman?
表現 · B1deal with someone

handle or face someone

You're dealing with an aborigine.
スラング · C1aborigine

a crude slur for a primitive — A dated, offensive slur; never use it.

You're dealing with an aborigine.
発音raped and

The d in raped links into and, so they blur together.

You don't mind killing the unborn, but when some fiend has raped and murdered, you're against giving him that big old injection?
発音Let's go

The t in Let's often drops in fast speech.

Take me someplace fun! It's New York! Let's go.
表現 · A2how about something

what do you say to

How about the Holocaust Museum?
文法 · C1what you take away from

noun clause: The what-clause acts as a noun, naming the conclusion he draws.

This is what you take away from the school-prayer hokum and "my country right or wrong"? Her bosom?
スラング · C1hokum

nonsense, empty talk — Casual dismissal of empty talk; avoid in formal writing.

This is what you take away from the school-prayer hokum and "my country right or wrong"? Her bosom?
表現 · C1beautifully contoured

shapely and well formed

It's not just her bosom. Her behind is also beautifully contoured.
表現 · B2be abandoned

be left alone

She's vulnerable, she's stupid and she's been abandoned.
表現 · B1where else to go

no other place to turn

Honey, I don't know where else to go.
表現 · B1be perfect for someone

ideally suited to someone

Honey, I met a young man today who is perfect for you.
文法 · B1a young man today who is perfect for you

relative clause: The who-clause describes the young man and sits right after the noun.

Honey, I met a young man today who is perfect for you.
表現 · B1like a real something

like a genuine one

Face it, Melody, Boris is not like a real husband.
文法 · B2more of a

comparative phrase: More of a plus noun recasts what something really is, not a literal comparison.

He's more of an outpatient and you're his keeper.
発音more of an

More of an runs together with a weak of.

He's more of an outpatient and you're his keeper.
表現 · B2wish someone hadn't done something

regret someone's past action

I really wish you hadn't showed up, Mom.
表現 · B1fall in love with someone

start to love someone

This delightful young actor. He fell in love with you at first sight.
表現 · B1at first sight

the moment you see it

This delightful young actor. He fell in love with you at first sight.
スラング · B2gimpy

lame, said cruelly — Mocking a disability; it wounds people, so avoid it.

I refuse to recognize it. What are you doing with a gimpy chess bum who has to sleep with the light on? How'd he get that limp?
スラング · B2bum

a good-for-nothing drifter — A put-down for a useless person; not to their face.

I refuse to recognize it. What are you doing with a gimpy chess bum who has to sleep with the light on? How'd he get that limp?
表現 · C1get something annulled

have a marriage declared void

Well, you can't win them all. Now, listen, I have a good lawyer who can get all of this annulled.
表現 · B2case a place

scout a place before a crime

- Who could be calling at midnight? - Could be burglars, casing the place.

「Marietta Argues and Plays Matchmaker」を読み解く

What's really going on

The chapter shows Marietta doing exactly what she accused Boris of: imposing her views on everyone. She hijacks a dinner with an argument about abortion, then spends the rest of the day arranging her daughter's life, and her judgment of Boris is brutal and confident: "He's more of an outpatient and you're his keeper." What makes it funny rather than cruel is that she is doing the same thing to Melodie that she complains about, and the film never lets her see it. Meanwhile Randy, the man she has chosen, is simply whoever happened to be standing there. The scene ends with Marietta quietly starting a romance of her own, which says more about her than any of her speeches.

Theme

Family conflictMarietta tries to run her daughter's marriage, deciding who Melodie should be with and calling Boris unfit.
IdentityShe treats her own opinions as moral facts, fighting about politics and then arranging everyone else's life.

このチャプターで学べること

  • One idiom can shut down a whole argument.
  • The line turns a compliment into an insult in a breath.
  • A midnight call exposes who everyone really is.
  • Romance here is sold like a used car.

発音のポイント

  • raped and — The d in raped links into and, so they blur together.
  • Let's go — The t in Let's often drops in fast speech.
  • more of an — More of an runs together with a weak of.
Abortion is murder, that's the long and short of it.

Marietta stating her politics as a settled fact, the line that ends the dinner conversation.

She's vulnerable, she's stupid and she's been abandoned.

Brockman's cold assessment of Marietta, summing her up as easy prey.

I have nothing to hold onto. Nothing! I have to have something.

Her plea for something to cling to, which explains why she grabs at everyone around her.

He's more of an outpatient and you're his keeper.

Her verdict on the marriage, dismissing Boris as a patient rather than a partner.

This delightful young actor. He fell in love with you at first sight.

Her pitch for Randy, delivered as if it were already decided.

このシーンについての質問

Who is Randy Lee James?

He is a young actor who approaches Melodie in the restaurant after seeing her. Marietta decides he is perfect for her daughter and starts pushing them together.

Why does Marietta want Melodie to leave Boris?

She thinks Boris is not a real husband: he is poor, rude, and needs looking after. She even offers to find a lawyer to annul the marriage.

Who does Marietta end up dating?

Brockman. She calls him late at night and arranges to meet him on Sunday, then pretends to be disgusted by the idea when she hangs up.

What does Marietta say about Boris's limp?

She asks how he got it, and is told he jumped out of a window in a failed suicide attempt. She uses it as another reason he is not good enough.

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