Rear Window · 1954 — 第 3 / 13 章 · 5'00" · B2

Lisa Brings Dinner to Jeff, Explained:seen better days

She's not just visiting; she's staging a campaign. Lisa brings dinner, mocks Jeff's cracked cigarette box, and reminds him he could "pick your assignment" at home instead of chasing danger abroad. Jeff answers with the image he thinks ends the argument: "Can you see me driving down to the fashion salon in a jeep...?"

あらすじ

Lisa Fremont arrives at Jeff's apartment with dinner, wine and a waiter in tow. She teases his old cigarette box, talks about her day, and pushes him to settle down — come home, open his own studio, choose his assignments. Jeff resists, picturing himself in combat boots at a fashion salon. The evening ends with the two of them talking past each other.

Family dinnersCouple fightsSuggestingTeasingCoupleB2mediumamerican
IMDb ↗

注目の表現

seen better dayspick your assignmentmake a hittake care of

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このシーンの表現

seen better days

be old and worn

Lisa picks up Jeff's battered cigarette box and says it has seen better days.

My old laptop has seen better days.

このシーンの他の表現

  • pick your assignment

    choose your own job

  • make a hit

    be a big success

  • take care of

    pay for or handle

  • worth it

    worth the cost

  • stop talking nonsense

    stop saying silly things

このシーンのメモ一覧

91 行のセリフに 26 件のメモ

表現 · A2anything else

something more

Anything else bothering you?
表現 · B1the same ... twice

repeat the same thing

Is this the Lisa Fremont who never wears the same dress twice?
文法 · B2who never wears the same dress twice

relative clause: The who-clause identifies which Lisa Fremont he means.

Is this the Lisa Fremont who never wears the same dress twice?
表現 · B2be expected of someone

required of someone

Only because it's expected of her.
発音right off

Right off links into one sound, the t sliding across.

It's right off the Paris plane. Do you think it'll sell?
表現 · A2depend on something

be decided by

That depends on the quote, you know. Let's see now.
表現 · B2on the stock exchange

the stock market

They ought to list that dress on the stock exchange.
表現 · B1for the occasion

for this event

Even if I had to pay, it would be worth it. Just for the occasion.
文法 · B2Even if I had to pay

concessive clause: The even-if clause concedes the worst case before insisting it is worth it.

Even if I had to pay, it would be worth it. Just for the occasion.
表現 · B1be full of something

be full of them

It's just an old run-on-the-mill Wednesday. The calendar's full of them.
スラング · B2run-on-the-mill

ordinary and dull — A common slip for run-of-the-mill; casual speech only.

It's just an old run-on-the-mill Wednesday. The calendar's full of them.
表現 · B2buy out something

buy up everything house here means all the seats in the theater

That's because I bought out the house.
表現 · B2hard-earned money

money earned by hard work

That's no way to spend your hard-earned money.
発音can't think

The t in can't often drops, and think of runs together.

I can't think of anything more boring or tiresome than what you've been through, - and the last week must be the hardest. - Let me, sir.
表現 · A2get moving

start moving

Yeah, I want to get this thing off and get moving.
表現 · B1take care of something

pay for or handle

Lisa tips Carl and says it will take care of the taxi too.

This will take care of the taxi as well.
表現 · B2dash to somewhere

rush to a place

then I had to dash to the Waldorf for a quick drink with Madame Dufresne, who's just over from Paris with some spy reports.
発音had to dash

Had to merges into a single hatta-like sound.

then I had to dash to the Waldorf for a quick drink with Madame Dufresne, who's just over from Paris with some spy reports.
スラング · B2dash

rush quickly — A breezy spoken word for rushing somewhere.

then I had to dash to the Waldorf for a quick drink with Madame Dufresne, who's just over from Paris with some spy reports.
スラング · B2Oh, you

oh, stop it — A playful, affectionate tease; only with people you know.

- Oh, you. - Italian. Imagine.
表現 · A2that kind of something

that sort of

You can't buy that kind of publicity.
表現 · B1open up something

start a business

Someday you may want to open up a studio of your own here.
文法 · B2Isn't it time you came home

subjunctive: It's time plus a past-tense verb means the action is already overdue.

Isn't it time you came home? You could pick your assignment.
表現 · A2a dozen something

twelve of something

I could get you a dozen assignments tomorrow.
表現 · B1stop talking nonsense

stop saying silly things

When Jeff jokes his way out, Lisa cuts it short and pulls them back to the point.

Let's stop talking nonsense, shall we?
文法 · B2shall we

tag question: The tag shall we turns the order into a shared suggestion.

Let's stop talking nonsense, shall we?

「Lisa Brings Dinner to Jeff」を読み解く

What's really going on

This is the film's real conflict, and it isn't the murder. Lisa and Jeff are arguing about what a life together would look like. She offers a version of the future — a studio, a schedule, assignments he can choose — and he hears a cage. His answer is deliberately absurd: can you picture me in combat boots at a fashion salon? The line is a joke, but it's also honest, because Jeff defines himself by movement and danger. Lisa isn't wrong, and she isn't naive; she names what she wants plainly: "For yourself and me." The scene works because both people are reasonable and neither will move, so the conversation keeps circling and ends nowhere.

Theme

RomanceLisa wants a life with Jeff and says so plainly; Jeff keeps turning the conversation into a joke to avoid it.
MarriageThe evening is a quiet proposal about settling down, and Jeff's refusal is what keeps them apart.

このチャプターで学べること

  • Lisa brings the world to Jeff's small room.
  • Every hint about marriage gets a joke back.
  • The Paris dress is an argument, not just fashion.
  • Social columns are shown as real power.

発音のポイント

  • right off — Right off links into one sound, the t sliding across.
  • can't think — The t in can't often drops, and think of runs together.
  • had to dash — Had to merges into a single hatta-like sound.
You can't buy that kind of publicity.

Lisa brags that she planted good items about Jeff in her columns, framing the press attention as a gift money can't purchase.

It's going on right here. It's a big night.

Jeff insists the real event is happening in his apartment, not anywhere else. It's a flirty way of making the evening feel important.

Make the one you want.

Lisa tells Jeff he shouldn't wait for the right assignment; he should create it himself. It's advice and an invitation to change his life.

Can you see me driving down to the fashion salon in a jeep, wearing combat boots and a three-day beard?

Jeff's comic argument against settling down: he can't picture himself fitting into Lisa's elegant world.

このシーンについての質問

Why does Lisa bring dinner to Jeff?

She is courting him, but she is also making a case: that he can have a normal life at home. The dinner, the wine and the waiter are all part of her argument.

What does Lisa want Jeff to do?

She wants him to come home, quit the constant travel, and open his own studio, where he could pick his own assignments — with her, not just for himself.

Why does Jeff resist settling down?

He defines himself by movement and danger. He jokes that he can't imagine himself in combat boots at a fashion salon, and hints he would rather keep taking faraway assignments.

What does "seen better days" mean?

It means something is old, worn, or past its prime. Lisa says it about Jeff's cracked cigarette box, gently teasing him about his shabby bachelor life.

Do Lisa and Jeff agree by the end of the evening?

No. They keep circling the same argument about home and travel, and the conversation ends without a decision. Neither of them changes position.

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