to abandon someone
Why did you come back? To tell me why you ran out on me at the railway station?Casablanca · 1943 — 第 11 / 20 章 · 3'05" · B1
Ilsa confronts Rick about why he abandoned her at the station in Paris, and he answers her coldly. The old wound is reopened, and she finally tells him, 'You see, Victor Laszlo is my husband.' Later, Ferrari offers a single exit visa, and Victor refuses to leave without her.
Ilsa comes to Rick's café and asks why he left her at the railway station in Paris. Rick gives her the cold version of events, and she tells him that Victor Laszlo is her husband, and was even when she knew Rick in Paris. Then Ferrari offers a visa for one person only.
注目の表現
got stuck withleave it that wayword has gone aroundtake a miracle
このシーンの表現
to require something impossible
Ferrari tells the couple that escape is nearly impossible, then adds a dry joke about miracles.
It would take a miracle to get a table here on Friday.
left holding something you didn't want
to keep things as they are
the news has spread
powerful and well thought of
kept me from doing something
53 行のセリフに 15 件のメモ
to abandon someone
Why did you come back? To tell me why you ran out on me at the railway station?left holding something you didn't want
Rick complains to Ilsa that he was left holding a railway ticket in Paris.
Why not? After all, I got stuck with a railway ticket. I think I'm entitled to know.relative clause: The clause narrows Rick to the man she once knew, setting him against the one facing her now.
The Rick I knew in Paris, I could tell him, he'd understand.to keep things as they are
Ilsa suggests keeping the affair as a memory instead of letting Casablanca spoil it.
If we leave it that way, maybe we'll remember those days and not Casablanca.if you choose to
You can believe that if you want to.to tell a lie to someone
All the same, someday you'll lie to Laszlo.Try linking not and able as one smooth unit to catch the flow.
I was just telling Monsieur Laszlo that unfortunately I'm not able to help him.the news has spread
Ferrari leans in and lets Ilsa know that he has already heard the gossip.
You see, my dear, word has gone around.to obtain a visa
Signor Ferrari thinks it might just be possible to get an exit visa for you.to require something impossible
Ferrari tells the couple that escape is nearly impossible, then adds a dry joke about miracles.
It would take a miracle to get you out. The Germans have outlawed miracles.to meet up with someone
You must get to America. Believe me, somehow I will get out and join you.subjunctive: The past forms mark an unreal condition, so the question stays hypothetical on purpose.
...if I had to stay and there were only visa for one...to escape from a place
When I had trouble getting out of Lille, why didn't you leave me there?kept me from doing something
Rick finally answers Ilsa's old question, admitting that something always delayed him.
I meant to, but something always held me up.I will keep it secret
Rick promises Ilsa that whatever she tells him will never be used against her.
Your secret will be safe with me.The scene works as an autopsy of a romance neither person can leave alone. Ilsa wants an explanation for the railway station, and Rick answers with the version that hurts least: 'You can believe that if you want to.' Then she gives him the fact that reframes everything—she was married the whole time—and the love story turns into a problem about loyalty. Ferrari's offer of one visa presses the same nerve from outside: it forces the pair to decide who deserves to escape. Victor's answer is to refuse the choice, insisting she must go. Nobody in the room gets to be simply happy or simply right.
It would take a miracle to get you out. The Germans have outlawed miracles.Ferrari's blunt way of saying there's almost no way out: even a miracle wouldn't pass, because the occupying Germans control everything.
Your secret will be safe with me.A promise of discretion—the speaker will keep what was just revealed from reaching anyone else.
If we leave it that way, maybe we'll remember those days and not Casablanca.Ilsa's proposal to part with the good memory intact, rather than let the bitterness of Casablanca define what they were.
No. You see, Victor Laszlo is my husband.The reveal that reframes everything: Ilsa wasn't free in Paris, so the love story carries a marriage inside it.
The scene only gives Rick's cold version and Ilsa's doubts; what's certain is that he left her at the railway station, and the film keeps the true reason for later.
Yes. She tells Rick that Victor is her husband, and was even when she knew Rick in Paris, which reframes the whole romance.
It means the task is nearly impossible. Ferrari says getting Victor out would take a miracle, then adds that the Germans have outlawed miracles.
He's willing to help Ilsa but says doing anything for Laszlo would not be worth his life. A single visa keeps him useful to her without risking himself.
He tells her not to stay and insists she must get to America, promising he'll find a way out and join her. He won't trade her safety for his own.
次のチャプター · 第 12 章blow with the windStrasser Debates What to Do With Laszlo
第 1 章gave you any thoughtUgarte Hands Rick the Letters
第 2 章on the reboundFerrari Tries to Buy Rick's Café
第 3 章stick my neck outRenault Warns Rick About Laszlo
第 4 章stick my neck outStrasser Interrogates Rick
第 5 章a game we playStrasser Confronts Laszlo at Rick's
第 6 章water under the bridgeIlsa Asks Sam to Play Their Song
第 7 章It would never doIlsa and Rick Reunite at the Café
第 8 章a price on your headRick and Ilsa Fall in Love
第 9 章mince wordsLaszlo Refuses to Name the Resistance
第 10 章take someone into your confidenceFerrari Offers to Handle the Letters
再生中 · 第 11 章take a miracleIlsa Asks Rick Why He Left
第 12 章blow with the windStrasser Debates What to Do With Laszlo
第 13 章by the throatAnnina Asks Rick About Renault
第 14 章not in my departmentRick Refuses Victor's Plea
第 15 章display heroicsIlsa and Victor Talk Before the Meeting
第 16 章poor salesmanshipIlsa Begs Rick for the Letters
第 17 章Here's looking at you, kidIlsa Explains Why She Left Rick
第 18 章stick my neck outLaszlo Begs Rick to Save Ilsa
第 19 章a feather in your capRick Makes a Deal with Louis
第 20 章under the circumstancesRick Holds Renault at Gunpoint