Come on blends into c'mon; listen for a single unit.
Come on, y'all. Come on, girlie! Come on!Beasts of the Southern Wild · 2012 — 第 3 / 4 章 · 4'05" · B1
Nobody in the Bathtub waits for a body to hold a funeral: "For the ones we never find, we make a funeral the Bathtub way," with "no crying allowed." As the flood refuses to drain, Wink refuses to leave, and the scene turns into a lesson in toughness and caring for the smaller and sweeter.
The people of the Bathtub hold a funeral for those never found — the rule is no crying — and share a fresh-catch feast. When someone warns that the saltwater flood won't drain and suggests moving, the answer is stubborn: "I got it under control." Wink teaches Hushpuppy and the children to harness their wildness and to look after the smaller and sweeter.
注目の表現
beast ittastes like moretake care ofunder control
このシーンの表現
do it fiercely
At the funeral feast Wink keeps shouting this at Hushpuppy, turning a chore into a test of grit.
Beast it on the last set and you will beat your record.
so good you want more
look after someone
being managed well
idle instead of acting
cowards (crude)
59 行のセリフに 28 件のメモ
Come on blends into c'mon; listen for a single unit.
Come on, y'all. Come on, girlie! Come on!little girl, said fondly — An affectionate address to a young girl among familiars.
Come on, y'all. Come on, girlie! Come on!you all, plural — Southern US informal plural you; keep it casual.
Come on, y'all. Come on, girlie! Come on!the day's freshly caught seafood
We got the fresh catch today. You like that, babe?Like and that run together, so listen for one blended sound.
We got the fresh catch today. You like that, babe?hold a funeral for someone
For the ones we never find, we make a funeral the Bathtub way.done the local Bathtub way
For the ones we never find, we make a funeral the Bathtub way.so good you want more
At the funeral meal someone praises the fresh catch and calls everyone to eat, turning grief into a shared feast.
Yeah, tastes like more. Come on. All right.with construction: The with phrase sets the state around the funeral: crying is not permitted here.
With no crying allowed.damn, as an intensifier — Angry emphasis; avoid it in polite or formal talk.
Pick that goddamn thing up! Let's go!time clause: The when clause marks the future moment when the water drops and the plan can happen.
...I'm gonna pee in my pants just a little. Hell, when the water goes down...mild curse used as a beat — Casual emphasis between friends, not in formal speech.
...I'm gonna pee in my pants just a little. Hell, when the water goes down...going to future: Gonna is the spoken going to, marking something that is bound to happen.
Trees are gonna die first, then the animals, then the fish.consider relocating
You gotta think about moving.being managed well
When neighbors say the water will not drop, Wink insists he has it under control, refusing to admit defeat.
I got it under control.take a seat beside someone
Come here, Hushpuppy. Come sit by your Uncle Jean.let me demonstrate it
Let me show you how to do this. Here. Here, baby.flip it over
Don't be scared of it, now. Now, turn it upside-down.that's the way, well done
There you go. Now, push it with your thumb.a group of
It wasn't no time to sit around crying like a bunch of pussies.idle instead of acting
Facing the flood, someone snaps that this is no moment to sit around crying; it is a call to act.
It wasn't no time to sit around crying like a bunch of pussies.double negative: The double negative is nonstandard but emphatic, meaning there was really no time at all.
It wasn't no time to sit around crying like a bunch of pussies.The t in wasn't is dropped before no, so it sounds like wasn-no.
It wasn't no time to sit around crying like a bunch of pussies.right above or over
We're gonna make a camp right on top of the Bathtub.turn out fine
It's gonna be all right.the single most important thing
That's the most important thing I can ever teach y'all.look after someone
Wink gives his daughter the lesson he calls most important: look after the weakest people around you.
Y'all got to learn how to take care of people smaller and sweeter than you are.Than you are reduces to a quick, unstressed run.
Y'all got to learn how to take care of people smaller and sweeter than you are.This is how the Bathtub does grief: not by weeping but by feasting and refusing to break. The line that defines it is "For the ones we never find, we make a funeral the Bathtub way" — a funeral for people the water took and never gave back, staged with the same food and noise as any celebration. The stubbornness extends to survival; told the water won't go down, the answer is "I got it under control," an insistence that leaving is not an option. What keeps it from being mere hardness is the lesson underneath: "Y'all got to learn how to take care of people smaller and sweeter than you are." The scene argues that toughness and tenderness are the same inheritance, passed from one generation to the next before the water rises further.
For the ones we never find, we make a funeral the Bathtub way.The community's custom for the dead it can't recover: no body needed, just a funeral done the local way — by gathering, feasting, and refusing to fall apart.
Y'all got to learn how to take care of people smaller and sweeter than you are.The lesson Wink wants to leave behind: strength means protecting those weaker than you, not just surviving yourself.
It wasn't no time to sit around crying like a bunch of pussies.A blunt rejection of public grief: there was no time for sitting and weeping when action was needed, even if that sounds harsh.
You see what kind of family we got? We got feeling!A proud claim about the Bathtub clan — they are alive with emotion, not numb or clinical about what they've lost.
That's the most important thing I can ever teach y'all.Wink frames the idea of caring for the vulnerable as his single most important inheritance to the children.
They hold it for "the ones we never find" — people lost to the water whose bodies were never recovered. The funeral is their way of marking the loss and staying together rather than waiting for remains.
He insists he has it "under control." Leaving would mean abandoning the Bathtub, his home and his people, so he chooses to build a camp on top of it instead.
He's explaining how they got through the disaster: they had to act and take care of each other rather than mourn. It's his way of praising toughness over visible grief.
To look after people smaller and sweeter than they are. He calls it the most important thing he can ever teach them, making care for the vulnerable the heart of the scene's idea of strength.