for a good while
It seems you have known Miguel Ostos for quite some time.A Shot in the Dark · 1964 — 第 6 / 12 章 · 3'13" · B2
On the surface, Maria Gambrelli calmly rewrites her own police statement: she was never raped, she simply "tripped over a root" and grabbed Miguel Ostos as she fell. The tension is that she tells it without a flicker of shame, while her interrogator keeps spotting holes in her story.
At the police station, Inspector Clouseau questions Maria Gambrelli about her affair with Miguel Ostos, the man she once described in testimony as the Spaniard who raped her. She insists it was an accident: she tripped over a root, they both fell, and she only cried because of something he said.
注目の表現
dossierin love withby your own accountbroke down
このシーンの表現
really? how surprising
Clouseau answers Maria's story with a dry You don't say, and she fires back.
You don't say, the bus is late again.
a file of personal records
romantically devoted to
according to what you said
lost control and wept
because of goodwill
46 行のセリフに 13 件のメモ
for a good while
It seems you have known Miguel Ostos for quite some time.romantically devoted to
Clouseau asks Maria if she was in love with Miguel, and she says yes.
- Were you in love with him? - Yes!stumbled over
You see, I tripped over a root and I grabbed Miguel to keep me from falling.stop someone from falling
You see, I tripped over a root and I grabbed Miguel to keep me from falling.slightly, a little
I cried a little bit afterwards, but that wasn't because I was sorry it happened.it is no surprise that
No wonder tobacco companies get rich!never considered it that way
I admit, I'd never thought of it quite that way.lost control and wept
Maria describes Miguel losing control and weeping in front of her.
He really broke down and cried.comfort someone
When I tried to console him, make him feel better, suddenly he was tearing off my clothes and cursing like a madman.according to what you said
Clouseau uses Maria's own words to point out the contradiction.
Ostos was leaving you, and yet, by your own account, he was behaving like a jealous madman.because of goodwill
Maria admits her lie but insists she did it out of kindness.
But only out of kindness!stop hoping
But don't give up hope.summoned someone
- What do you want? - You sent for me.The comedy comes from the gap between Maria's matter-of-fact tone and the absurd content of what she describes. She is not defending herself; she is correcting the record, cheerfully demolishing the word "rape" as a clerical error. "You see, I tripped over a root and I grabbed Miguel to keep me from falling," she explains, as if that settles it. When the interrogator points out the contradiction—Ostos was leaving her, yet behaved like a jealous madman—she offers the strangest logic of all: she lied about another man purely so he would suffer, "but only out of kindness!" What unsettles the room is her total sincerity. Nothing she says is calculated to save herself, and that is exactly what makes her impossible to read.
You see, I thought if he was leaving me, he'd suffer, thinking that I was alone.Her reason for lying: she wanted Ostos to imagine her alone and unhappy after he left, so he would hurt.
Ostos was leaving you, and yet, by your own account, he was behaving like a jealous madman.The interrogator uses her own words against her: if he was ending it, why act jealous? Her story contradicts itself.
Last night was to be our last night. It was all finished.She frames the night of the murder as a planned final meeting, already over in her mind before anything happened.
Why do so many men smoke afterwards?Asked deadpan after describing the encounter, it turns a personal confession into a wry, general observation about men.
She says she tripped over a root and grabbed Ostos to keep from falling, so they both went down by accident. She is correcting her earlier testimony rather than defending herself, and she never treats the encounter as a crime.
She admits one lie: she told Ostos there was someone else, hoping he would suffer after leaving her. Everything else she describes she presents as true, which makes her account hard to dismiss outright.
Maria says he was in a mood that night, babbled in Spanish, then broke down crying. When she tried to console him he turned violent, tearing her clothes and cursing like a madman.
It is an ironic reply used when you hear something unbelievable. When Maria says Ostos broke down and cried, the interrogator answers "You don't say," and she takes it literally, insisting "I do say."
Yes. When she asks if she must return, the answer is "Unfortunately, yes," followed by "But don't give up hope." She is still the prime suspect as the scene ends.
次のチャプター · 第 7 章cat-and-mouseClouseau Finds Blood on the Shears
第 1 章meet the eyeClouseau Investigates the Pistol Pen
第 2 章life's rich pageantClouseau Interrogates Maria
第 3 章take chargeDreyfus Takes Over the Case
第 4 章a guessing gameClouseau Lectures Hercule on Facts
第 5 章red tapeClouseau Demands New Prison Furniture
再生中 · 第 6 章you don't sayMaria Gambrelli's Testimony
第 7 章cat-and-mouseClouseau Finds Blood on the Shears
第 8 章put it to youClouseau Questions Ballon at Billiards
第 9 章up to his earsDreyfus Banishes Clouseau to Martinique
第 10 章nobody's perfectClouseau and Dreyfus Sync Watches
第 11 章now thenClouseau Compares Everyone's Clocks
第 12 章with the greatest respectThe Closet Fingerprints