A Shot in the Dark · 1964 — 第 6 / 12 章 · 3'13" · B2

Maria Gambrelli's Testimony, Explained:you don't say

On the surface, Maria Gambrelli calmly rewrites her own police statement: she was never raped, she simply "tripped over a root" and grabbed Miguel Ostos as she fell. The tension is that she tells it without a flicker of shame, while her interrogator keeps spotting holes in her story.

あらすじ

At the police station, Inspector Clouseau questions Maria Gambrelli about her affair with Miguel Ostos, the man she once described in testimony as the Spaniard who raped her. She insists it was an accident: she tripped over a root, they both fell, and she only cried because of something he said.

InterrogationsPolice questioningConfessingConfrontingPolice & suspectB2slowother-accentClean
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注目の表現

dossierin love withby your own accountbroke down

00:00 / 03:13
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  1. ❝ 独白Maria's confession13 行練習ページ ↗
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このシーンの表現

you don't say

really? how surprising

Clouseau answers Maria's story with a dry You don't say, and she fires back.

You don't say, the bus is late again.

このシーンの他の表現

  • dossier

    a file of personal records

  • in love with

    romantically devoted to

  • by your own account

    according to what you said

  • broke down

    lost control and wept

  • out of kindness

    because of goodwill

このシーンのメモ一覧

46 行のセリフに 13 件のメモ

表現 · B1for quite some time

for a good while

It seems you have known Miguel Ostos for quite some time.
表現 · A2be in love with someone

romantically devoted to

Clouseau asks Maria if she was in love with Miguel, and she says yes.

- Were you in love with him? - Yes!
表現 · B1trip over something

stumbled over

You see, I tripped over a root and I grabbed Miguel to keep me from falling.
表現 · B1keep someone from doing something

stop someone from falling

You see, I tripped over a root and I grabbed Miguel to keep me from falling.
表現 · A2a little bit

slightly, a little

I cried a little bit afterwards, but that wasn't because I was sorry it happened.
表現 · B1no wonder ...

it is no surprise that

No wonder tobacco companies get rich!
表現 · B2never thought of it that way

never considered it that way

I admit, I'd never thought of it quite that way.
表現 · B2break down and cry

lost control and wept

Maria describes Miguel losing control and weeping in front of her.

He really broke down and cried.
表現 · B1make someone feel better

comfort someone

When I tried to console him, make him feel better, suddenly he was tearing off my clothes and cursing like a madman.
表現 · C1by one's own account

according to what you said

Clouseau uses Maria's own words to point out the contradiction.

Ostos was leaving you, and yet, by your own account, he was behaving like a jealous madman.
表現 · B2out of kindness

because of goodwill

Maria admits her lie but insists she did it out of kindness.

But only out of kindness!
表現 · B1give up hope

stop hoping

But don't give up hope.
表現 · B2send for someone

summoned someone

- What do you want? - You sent for me.

「Maria Gambrelli's Testimony」を読み解く

What's really going on

The comedy comes from the gap between Maria's matter-of-fact tone and the absurd content of what she describes. She is not defending herself; she is correcting the record, cheerfully demolishing the word "rape" as a clerical error. "You see, I tripped over a root and I grabbed Miguel to keep me from falling," she explains, as if that settles it. When the interrogator points out the contradiction—Ostos was leaving her, yet behaved like a jealous madman—she offers the strangest logic of all: she lied about another man purely so he would suffer, "but only out of kindness!" What unsettles the room is her total sincerity. Nothing she says is calculated to save herself, and that is exactly what makes her impossible to read.

Theme

Dark humorMaria discusses being raped as a minor accident and jokes about why men smoke afterward, all with a straight face.
AbsurdityHer account defies ordinary logic, yet she delivers it so sincerely that the interrogator cannot simply dismiss it.

このチャプターで学べること

  • By your own account quotes your words back
  • Broke down means lost control and cried
  • In love with needs the preposition with
  • Out of kindness explains a motive, not a result
You see, I thought if he was leaving me, he'd suffer, thinking that I was alone.

Her reason for lying: she wanted Ostos to imagine her alone and unhappy after he left, so he would hurt.

Ostos was leaving you, and yet, by your own account, he was behaving like a jealous madman.

The interrogator uses her own words against her: if he was ending it, why act jealous? Her story contradicts itself.

Last night was to be our last night. It was all finished.

She frames the night of the murder as a planned final meeting, already over in her mind before anything happened.

Why do so many men smoke afterwards?

Asked deadpan after describing the encounter, it turns a personal confession into a wry, general observation about men.

このシーンについての質問

Why does Maria insist she wasn't raped?

She says she tripped over a root and grabbed Ostos to keep from falling, so they both went down by accident. She is correcting her earlier testimony rather than defending herself, and she never treats the encounter as a crime.

Is Maria lying about the affair?

She admits one lie: she told Ostos there was someone else, hoping he would suffer after leaving her. Everything else she describes she presents as true, which makes her account hard to dismiss outright.

Why was Ostos angry if he was the one leaving?

Maria says he was in a mood that night, babbled in Spanish, then broke down crying. When she tried to console him he turned violent, tearing her clothes and cursing like a madman.

What does "You don't say" mean here?

It is an ironic reply used when you hear something unbelievable. When Maria says Ostos broke down and cried, the interrogator answers "You don't say," and she takes it literally, insisting "I do say."

Does Maria go back to prison?

Yes. When she asks if she must return, the answer is "Unfortunately, yes," followed by "But don't give up hope." She is still the prime suspect as the scene ends.

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