A Shot in the Dark · 1964 — 第 7 / 12 章 · 2'37" · B2

Clouseau Finds Blood on the Shears, Explained:cat-and-mouse

Clouseau spots blood on the gardener's shears, and the fun is what follows. Back with Hercule, he recites the evidence against Maria, then explodes when Hercule draws the obvious conclusion, insisting "Whoever killed Miguel killed Georges the gardener, and he did it to cover up the first crime."

あらすじ

In the Ballon garden, Clouseau examines the gardener's shears and finds them covered in blood. He then walks Hercule through the case facts one by one. When Hercule concludes that Maria Gambrelli killed the gardener, Clouseau erupts and argues the real killer framed her to cover up an earlier murder.

InvestigationAccusationsExplainingConfrontingBoss & employeeB2slowother-accentClean
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注目の表現

cat-and-mouselay the blamedeal in certaintiesdeductive truth

00:00 / 02:37
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  1. ❝ 独白The four facts5 行練習ページ ↗
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このシーンの表現

cat-and-mouse

a game of toying with someone

Clouseau ends the gentle probing and says the cat-and-mouse is over.

The two sides played cat-and-mouse for weeks.

このシーンの他の表現

  • lay the blame

    to pin the responsibility on

  • deal in certainties

    work only with proven facts

  • deductive truth

    truth reached by deduction

  • fresh-faced novice

    a young, inexperienced beginner

  • resort to

    to turn to as a last option

このシーンのメモ一覧

31 行のセリフに 13 件のメモ

表現 · B2happen to be doing something

chanced to be passing by

Excuse me. I just happened to be passing.
表現 · A2all over something

covering every part of

You've been cutting something. There's blood all over your shears.
表現 · C1the whole fabric of something

the entire structure of

Behind them lies the whole fabric of deductive truth.
表現 · B2the murder weapon

the weapon used in a killing

One... she was found with the murder weapon in her hands.
表現 · C1have a perfect alibi

flawless alibis

And four... all the members of the Ballon household staff have perfect alibis.
表現 · B1add up to something

to amount to

Now then, Hercule, what do these facts add up to?
表現 · B1come up with something

to devise or think up

Only a fresh-faced novice would come up with a conclusion like that.
表現 · B1cover up something

to hide the truth of

Whoever killed Miguel killed Georges the gardener, and he did it to cover up the first crime.
表現 · C1lay the blame on someone

to pin the responsibility on

Clouseau says the killer is trying to pin the crime on the servant girl.

He's trying to lay the blame at the foot of this poor servant girl.
表現 · B2deal in something

to work in, to trade in

I deal in certainties.
表現 · B2break someone down

to wear someone down

I have only to break her down, make her admit she's protecting somebody, and then force her to divulge his identity.
表現 · C1play cat and mouse

a game of toying with someone

Clouseau ends the gentle probing and says the cat-and-mouse is over.

There can be no more cat-and-mouse.
表現 · B1for the sake of someone/something

for the good of

For her own sake, and for the sake of justice, I will resort to any means short of brute force to drag it out of her!

「Clouseau Finds Blood on the Shears」を読み解く

What's really going on

The scene runs on the gap between Clouseau's method and his results. He opens like a lecturer — "Behind them lies the whole fabric of deductive truth" — then feeds Hercule four tidy facts that point straight at Maria. The moment Hercule says so, Clouseau calls him "an idiot" and a "fresh-faced novice," because the correct answer is not the one he wants. His counter-theory, that the killer framed Maria to "cover up the first crime," is offered with zero new evidence; it simply sounds more dramatic, and he presents it as certainty — "I deal in certainties." Even his final plan, to break her down and force her to name who she is protecting, rests on an assumption he has never tested. The comedy is that a man who worships facts builds his case entirely on instinct and then accuses everyone of guessing.

Theme

JusticeClouseau insists he is serving justice while building a theory on instinct and a suspect he has already decided to break down.
DeceptionThe killer's frame-up — planting evidence on Maria to bury an earlier crime — is the scheme Clouseau claims to see through.

このチャプターで学べること

  • Add up to means amount to a conclusion
  • Cat-and-mouse is toying before closing in
  • Lay the blame is to pin the fault
  • Certainties are proven facts, not guesses
I have only to break her down, make her admit she's protecting somebody, and then force her to divulge his identity.

Clouseau's plan for Maria: wear her down until she names whoever she is shielding. The whole theory depends on her confession, not on evidence.

Whoever killed Miguel killed Georges the gardener, and he did it to cover up the first crime.

His counter-theory to Hercule: one killer committed both murders, staging the second to frame Maria and bury the first crime.

Behind them lies the whole fabric of deductive truth.

His lofty claim about evidence — that facts are the structure from which the truth is deduced — stated just before he ignores the facts.

Only a fresh-faced novice would come up with a conclusion like that.

His insult to Hercule for reaching the conclusion the evidence supports; to Clouseau, agreeing with the facts marks you as a beginner.

このシーンについての質問

Why does Clouseau reject Hercule's conclusion?

Hercule repeats what the evidence says, that Maria killed Georges the gardener. Clouseau has already decided she is protecting someone, so he dismisses the evidence-backed answer as the work of a novice.

Why does Clouseau think one killer committed both murders?

He argues that whoever killed Miguel also killed Georges, and staged the second killing to frame Maria and cover up the first crime.

What does Clouseau plan to do with Maria?

He says he will break her down, make her admit she is protecting someone, and force her to reveal that person's identity — using any means short of brute force.

Whom does Clouseau suspect?

He answers 'I suspect everyone' — which is why he refuses to settle on the obvious suspect and insists that he deals only in certainties.

What does the final line, 'He released her again?', mean?

It cuts to the aftermath: Clouseau has let Maria go once more, and a superior is told about it, setting up the next round of trouble.

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