chanced to be passing by
Excuse me. I just happened to be passing.A Shot in the Dark · 1964 — 第 7 / 12 章 · 2'37" · B2
Clouseau spots blood on the gardener's shears, and the fun is what follows. Back with Hercule, he recites the evidence against Maria, then explodes when Hercule draws the obvious conclusion, insisting "Whoever killed Miguel killed Georges the gardener, and he did it to cover up the first crime."
In the Ballon garden, Clouseau examines the gardener's shears and finds them covered in blood. He then walks Hercule through the case facts one by one. When Hercule concludes that Maria Gambrelli killed the gardener, Clouseau erupts and argues the real killer framed her to cover up an earlier murder.
注目の表現
cat-and-mouselay the blamedeal in certaintiesdeductive truth
このシーンの表現
a game of toying with someone
Clouseau ends the gentle probing and says the cat-and-mouse is over.
The two sides played cat-and-mouse for weeks.
to pin the responsibility on
work only with proven facts
truth reached by deduction
a young, inexperienced beginner
to turn to as a last option
31 行のセリフに 13 件のメモ
chanced to be passing by
Excuse me. I just happened to be passing.covering every part of
You've been cutting something. There's blood all over your shears.the entire structure of
Behind them lies the whole fabric of deductive truth.the weapon used in a killing
One... she was found with the murder weapon in her hands.flawless alibis
And four... all the members of the Ballon household staff have perfect alibis.to amount to
Now then, Hercule, what do these facts add up to?to devise or think up
Only a fresh-faced novice would come up with a conclusion like that.to hide the truth of
Whoever killed Miguel killed Georges the gardener, and he did it to cover up the first crime.to pin the responsibility on
Clouseau says the killer is trying to pin the crime on the servant girl.
He's trying to lay the blame at the foot of this poor servant girl.to work in, to trade in
I deal in certainties.to wear someone down
I have only to break her down, make her admit she's protecting somebody, and then force her to divulge his identity.a game of toying with someone
Clouseau ends the gentle probing and says the cat-and-mouse is over.
There can be no more cat-and-mouse.for the good of
For her own sake, and for the sake of justice, I will resort to any means short of brute force to drag it out of her!The scene runs on the gap between Clouseau's method and his results. He opens like a lecturer — "Behind them lies the whole fabric of deductive truth" — then feeds Hercule four tidy facts that point straight at Maria. The moment Hercule says so, Clouseau calls him "an idiot" and a "fresh-faced novice," because the correct answer is not the one he wants. His counter-theory, that the killer framed Maria to "cover up the first crime," is offered with zero new evidence; it simply sounds more dramatic, and he presents it as certainty — "I deal in certainties." Even his final plan, to break her down and force her to name who she is protecting, rests on an assumption he has never tested. The comedy is that a man who worships facts builds his case entirely on instinct and then accuses everyone of guessing.
I have only to break her down, make her admit she's protecting somebody, and then force her to divulge his identity.Clouseau's plan for Maria: wear her down until she names whoever she is shielding. The whole theory depends on her confession, not on evidence.
Whoever killed Miguel killed Georges the gardener, and he did it to cover up the first crime.His counter-theory to Hercule: one killer committed both murders, staging the second to frame Maria and bury the first crime.
Behind them lies the whole fabric of deductive truth.His lofty claim about evidence — that facts are the structure from which the truth is deduced — stated just before he ignores the facts.
Only a fresh-faced novice would come up with a conclusion like that.His insult to Hercule for reaching the conclusion the evidence supports; to Clouseau, agreeing with the facts marks you as a beginner.
Hercule repeats what the evidence says, that Maria killed Georges the gardener. Clouseau has already decided she is protecting someone, so he dismisses the evidence-backed answer as the work of a novice.
He argues that whoever killed Miguel also killed Georges, and staged the second killing to frame Maria and cover up the first crime.
He says he will break her down, make her admit she is protecting someone, and force her to reveal that person's identity — using any means short of brute force.
He answers 'I suspect everyone' — which is why he refuses to settle on the obvious suspect and insists that he deals only in certainties.
It cuts to the aftermath: Clouseau has let Maria go once more, and a superior is told about it, setting up the next round of trouble.
次のチャプター · 第 8 章put it to youClouseau Questions Ballon at Billiards
第 1 章meet the eyeClouseau Investigates the Pistol Pen
第 2 章life's rich pageantClouseau Interrogates Maria
第 3 章take chargeDreyfus Takes Over the Case
第 4 章a guessing gameClouseau Lectures Hercule on Facts
第 5 章red tapeClouseau Demands New Prison Furniture
第 6 章you don't sayMaria Gambrelli's Testimony
再生中 · 第 7 章cat-and-mouseClouseau Finds Blood on the Shears
第 8 章put it to youClouseau Questions Ballon at Billiards
第 9 章up to his earsDreyfus Banishes Clouseau to Martinique
第 10 章nobody's perfectClouseau and Dreyfus Sync Watches
第 11 章now thenClouseau Compares Everyone's Clocks
第 12 章with the greatest respectThe Closet Fingerprints