ask you something
I'd love to be in it, but, um-- Uh, I kinda gotta ask you a question first though.Waking Life · 2001 — Capítulo 11 de 13 · 4'20" · C1
A question hangs over the whole talk: what is it like to be a character in a dream? Someone admits there is no clear memory of an address, and “It's up to me. I'm the dreamer” becomes a claim to control inside an experience that still feels transmitted from elsewhere.
Two people talk in what may be a dream. One asks what it is like to be a character in a dream and says they are not awake. The other describes awareness that wavers, calls the dream complete unto itself, and says it feels like preparation for something.
Atento a
kinda gottabeside the pointdredge upconsistent perspective
Expresión de la escena
not relevant to the matter
Someone is pressed for a name and address, admits they cannot recall them, then uses this phrase to steer back to the real issue.
Whether the café is trendy is beside the point; the coffee is terrible.
kind of have to; need to (softened)
to manage to recall or bring up something
a viewpoint that stays coherent
awareness comes and goes
to flow over someone (of words, feelings, sound)
24 notas en 68 frases
ask you something
I'd love to be in it, but, um-- Uh, I kinda gotta ask you a question first though.Let the end of 'gotta' slide straight into 'ask' instead of pausing between them.
I'd love to be in it, but, um-- Uh, I kinda gotta ask you a question first though.how to put something into words
I don't really know how to say it, but, um-- uh, what's it like to be a character in a dream?dummy subject: The 'it' is a placeholder; the real question is about the experience of being a character.
I don't really know how to say it, but, um-- uh, what's it like to be a character in a dream?a rough idea of one's situation
But I'm just trying to get like a sense of where I am and what's going on.genuinely cannot recall
I-- I-- You know, I can't really remember right now.Keep 'wanna' light and put the beat on 'call' and 'that'.
I've got the benefit in this reality, if you wanna call that, of a consistent perspective.handling or interacting with people
It's mostly just me dealing with a lot of people...giving me access to
exposing me to information and ideas...faintly recognizable
that... seem vaguely familiar, but, at the same time, it's all very alien to me.but also; simultaneously
that... seem vaguely familiar, but, at the same time, it's all very alien to me.a full range of
It's more like this whole spectrum of awareness.no earlier example to compare with
that it's something that I don't really have any precedent for.invent or produce an idea
I didn't come up with that. It's like something outside of myself.beyond one's own mind
I didn't come up with that. It's like something outside of myself.held back by the world
We seem to think we're so limited by the world...work something out
And you keep trying to figure it out, but it seems like now that you know that what you’re doing is dreaming,nested clauses: Three layers stack here: the reason, the knowing, and the embedded question of what you are doing.
And you keep trying to figure it out, but it seems like now that you know that what you’re doing is dreaming,what gives life its point
You have, um, so many options, and that's what life is about.my decision to make
It's up to me. I'm the dreamer.in several ways at once
We're communicating on so many levels simultaneously.be made ready for something
It's like I'm being prepared for something.passive progressive: The passive progressive makes the preparation feel ongoing while hiding who or what is doing it.
It's like I'm being prepared for something.Stress 'prepared' and hurry through 'being'.
It's like I'm being prepared for something.The talk sounds philosophical, but the pressure is personal: someone is trying to work out whether this experience is a dream, a reality, or something with no precedent. The reply does not settle it. Instead it offers a model of awareness that rises and falls: “Like the lucidity wavers.” What sounds like calm insight may also be a way of staying in the conversation without claiming a stable self. When someone says “It's up to me. I'm the dreamer,” the line is less a victory than a test: if everything is up to the dreamer, why does the dream still feel transmitted from outside? The scene keeps circling that gap.
I don't really know how to say it, but, um-- uh, what's it like to be a character in a dream?The speaker struggles to frame a strange question: what is it like to exist as a character within a dream?
It's up to me. I'm the dreamer.If this is a dream, the dreamer claims control; the line turns a strange experience into a question of agency.
It's not necessarily passive to not respond verbally.Silence is not automatically passivity; communication can happen on many levels without spoken replies.
It's not like I'm having a bad dream. It's a great dream.The dream is not a nightmare; it feels vivid and pleasurable even while it remains strange.
It's like I'm being prepared for something.The experience feels purposeful, as if it is training or readying the speaker for something still unnamed.
They say it plainly: “I'm not awake right now.” That claim frames the whole talk as an attempt to work out where they are and what is going on.
The speaker says, “It's not like I'm having a bad dream. It's a great dream,” then adds that it is unlike any other dream before.
No. One line says, “I don't know what this is,” and another says the experience has no precedent, so the question stays open.
Someone says, “It's not necessarily passive to not respond verbally,” and adds that people communicate on many levels at once.
Siguiente · Capítulo 12coauthors ofBridge Monologue on Dreams
Capítulo 1on an even keelA Ride Full of Sea Metaphors
Capítulo 2write ourselves offSpeaker Defends Existentialism
Capítulo 3at the whim ofThe Evolution Lecture
Capítulo 4collective memoryTwo People Discuss Reincarnation
Capítulo 5charadeThe Free Will Lecture
Capítulo 6two sides of the same coinMan Rants About Control
Capítulo 7in the middle of nowhereGas Station Shooting Story
Capítulo 8make the best of itLucid Dreaming Tips and Tricks
Capítulo 9come out of the momentTwo People Debate What Film Captures
Capítulo 10be an antStrangers Talk About Not Being Ants
Viendo · Capítulo 11beside the pointA Character in a Dream
Capítulo 12coauthors ofBridge Monologue on Dreams
Capítulo 13false awakeningsDreamer Describes False Awakenings