“We can give these boys a better chance than we ever had.”
It turns leaving into a promise to the children, not a wish for himself.
Neutral
Capítulo 5 de 14 · 3'27"
Pa is away in England half the year, and the family is broke. Ma counts the cost of three years of back tax and his horses; Pa insists he "had it covered." Underneath is a bigger fight: whether to stay in Belfast or take the whole family to the other side of the world.
Pa Wants Out, Ma Won't Leave
❝ Monólogo · 10 frases the reporter's dispatch
He reports the night in the first person, so the chaos feels seen rather than quoted.
Fresh home from his job in England, Pa gives the boys a rule: if anyone asks them to join, deliver or pass a message, they tell their mother. Then Ma confronts him about money — unpaid taxes, bets on horses — and Pa floats a way out: assisted passage to Australia, where tradesmen are wanted.
The argument isn't really about the back tax. It's about who gets to decide the family's future, and what staying in Belfast costs. Ma has held the household together while Pa was away; 'I know nothing else but Belfast' is not stubbornness so much as fear of starting over with nothing. Pa's answer is blunt: 'We're living in a civil war, and I'm not here to protect my family.' The debt, the horses, the missed taxes — all of it sits under a question the Troubles keep forcing on them: is love enough, or do you have to leave to keep your children safe? Both want the same thing and can't agree on how to get it.
A1–C2 es la escala MCER. Las tarjetas por encima del nivel elegido se atenúan y la reproducción no se pausa en ellas.
“We can give these boys a better chance than we ever had.”
It turns leaving into a promise to the children, not a wish for himself.
Neutral
“We're living in a civil war, and I'm not here to protect my family.”
Leaving is framed as duty: the danger is real, but being away from them is worse.
Neutral
“This is the time to think about making a new start.”
It names the moment and the choice in one breath, inviting rather than ordering.
Neutral
“You tell your ma, she'll tell me, and I'll sort it.”
A family chain of command in one breath: tell your mother, she tells me, and I take care of it.
Informal
As we drove past a side street, three men on the corner dived for cover. -It's not bad, though, is it? -A young man with a revolver asked us for a lift. At 4:00 this morning, RUC turned us back -from the Falls area. -Yeah. Snipers, they said, were still at work, and in the distance, one heard the ominous burst of machine-gun fire. The scene terrified me, but it reminded an American colleague of Harlem, but, he added, it seems easier to get guns here. One more left. Dawn over Belfast today showed a grim scene, buildings scarred by fire, thousands of pounds' worth of damage caused, and, of course, the tragic loss of life. It's been a night of shame for Belfast, one that will live on in the memories of its people...
Siguiente · 06what's yours is mineLa escena: Buddy's School CrushShe has been paying it off at ten pounds a month for three years while Pa worked away and kept betting on horses. The bill is not just money: it is proof he left her to carry the household alone, and he nearly went to jail over it.
Because his version of handling it was three years of back payments and a near-jail sentence. Every word of the exchange means the opposite of what it sounds like, which is what makes a couple fight so hard to follow.
Not in this scene. This is the argument that sets the question up. Pa wants assisted passage to Australia for all of them, while Ma says she knows nothing else but Belfast, and the film keeps weighing that choice against the violence outside.
He pictures a life without the Troubles: work in a Commonwealth country that needs tradesmen, and a fresh start on the other side of the world. It is his answer to a war he cannot protect his children from.