“Can I tell you something?”
It is the plainest way to ask for someone's full attention before something hard.
Informal
Chapter 15 of 18 · 2'30"
Under a sky full of stars, one of them admits to something kept private: 'I've been taking anti-depressants,' and 'I haven't told anyone.' The embarrassment isn't about the pills so much as the mismatch — a life with 'nothing wrong' that still carries a sadness 'I don't know where it comes from.'
❝ Monologue · 13 lines The Confession About the Pills
Outside at night, the two look up at the stars and the talk turns serious. One confesses to taking anti-depressants and admits no one knows — 'I haven't told anyone.' The shame comes from having a life with nothing wrong and still feeling a sadness whose source is unclear. The other doesn't push, and simply says, 'I can understand that.'
The confession is carefully shaped, and the shape is the point. It arrives as 'Can I tell you something?' rather than a statement, and then hedges with 'you know' and 'for a while.' What feels unbearable isn't the medication but the logic around it: 'I should be happy,' yet there is a sadness with no source — 'And I don't know where it comes from.' Saying it to an old friend, at night, is easier than saying it at home. When asked the obvious question — 'Why don't you talk to Chris about it?' — the answer isn't a reason, it's a tense: 'There was a time when I... I would have.' That shift from present to past is the scene's quiet center: closeness with the partner has changed, while this old intimacy still works. The listener keeps it light and simple: 'Well, I can understand that,' which is enough.
A1–C2 is the CEFR scale. Cards above the level you pick fade, and playback will not auto-pause on them.
“Can I tell you something?”
It is the plainest way to ask for someone's full attention before something hard.
Informal
“And I don't know where it comes from.”
Saying she cannot name the sadness makes it feel more real, not less.
Neutral
“Well, I can understand that.”
It accepts her feeling without trying to fix it, which is exactly what she needs.
Neutral
“Yeah I don't have that particular problem myself.”
A light, self-deprecating reply that keeps the moment from turning too heavy.
Informal
“Why don't you talk to Chris about it?”
A simple suggestion that quietly exposes how much she has kept from the person closest to her.
Informal
“There was a time when I... I would have.”
The unfinished would have says more about what changed than any full sentence could.
literary
I've been taking anti-depressants... For a while. I haven't told anyone. You know, not even Chris. You know, i don't know why... I feel so embarrassed... About taking them. And it's probably because there's nothing you know, there's nothing wrong with my life. I should be happy. But there's this... Sadness... And I don't know where it comes from.
Up next · 16on my behalfThe scene: Amanda Talks About the Empty HouseBecause nothing looks wrong from outside. The speaker says it's probably because 'there's nothing wrong with my life' and 'I should be happy,' which makes the sadness harder to justify or explain.
It shows a managed, private struggle: they've been taking medication 'for a while,' haven't told anyone, and mention that they 'literally haven't cried in five years.'
The answer suggests distance: 'There was a time when I... I would have.' Once they would have opened up to Chris, but that closeness seems to have faded.
Chris is referenced as someone close, the natural person to talk to about this. The refusal to confide in Chris is what the conversation circles around.
It's a small joke about not being able to cry. They say they don't have 'that particular problem,' picking up on the detail that the speaker hasn't cried in five years.