weak form
...my father gave me some advice.The Great Gatsby · 2013 — 第 1 / 18 章 · 4'15" · C1
Nick opens the film not with Gatsby but with himself: his father's advice to "see the best in people," his habit of reserving judgment, and the summer he moved to West Egg. Only one man, he says, was exempt from his disgust — and the name lands like a title card.
A frame story: Nick Carraway sits with a doctor and recounts how he came to New York in the summer of 1922, rented a small cottage in West Egg, and took a job selling bonds while Wall Street boomed. He mentions one man he could never bring himself to judge — his neighbor, Gatsby.
注目の表現
reserve all judgmentsin tune with the timessee the best in peoplelure
このシーンの表現
先不下判断;把评价收着
尼克在疗养院对医生回忆父亲的那句劝告,用它解释自己为什么总把判断收着。
The judge asked the jury to reserve judgment until all the evidence was heard.
与时代合拍;紧跟潮流
往好处看人;总看到别人的优点
to draw someone in with the promise of gain, like bait
69 行のセリフに 24 件のメモ
weak form
...my father gave me some advice."Always try to see the best in people," he would say.As a consequence, I'm inclined to reserve all judgments.be inclined to
As a consequence, I'm inclined to reserve all judgments.Back then, all of us drank too much.The more in tune with the times we were...And none of us contributed anything new.Disgusted with everyone and everything.Only one man was exempt from my disgust....the single most hopeful person I've ever met.And am ever likely to meet again....record peaks...elision
...record peaks...result participle
...making the liquor cheaper.Wall Street was luring the young and ambitious....in a forgotten groundskeeper's cottage, squeezed among the mansions...past participle phrase
...in a forgotten groundskeeper's cottage, squeezed among the mansions......of the newly rich.To get started, I bought a dozen volumes on credit, banking and investments....hit another high. CLERK: The market's moving up, up, up!...but I gave all that up.liaison
With the sun shining......were it not...inverted conditional
...were it not...The film's opening does something sly: it makes Nick's memory the frame for Gatsby before Gatsby ever appears. Nick presents himself as tolerant — "As a consequence, I'm inclined to reserve all judgments" — but immediately admits, "But even I have a limit." That limit is where the story lives. His nostalgia for the boom years is already laced with disgust: "all of us drank too much," Wall Street "was luring the young and ambitious. And I was one of them." The one exception is Gatsby, "the single most hopeful person I've ever met." So the narration sets up its own contradiction: a man who claims not to judge spends the film quietly judging everyone, and reserving his faith for Gatsby alone.
In my younger and more vulnerable years...Nick's framing: he's looking back on a time when he was young and exposed to the world's judgments — the voice of a man remembering rather than living.
As a consequence, I'm inclined to reserve all judgments.His father's advice left him unwilling to pass judgment on anyone; he presents this tolerance as a family trait and a personal code.
Only one man was exempt from my disgust.After that summer Nick is disgusted with nearly everyone, but he singles out one man whose memory he still keeps clean.
...the single most hopeful person I've ever met.His verdict on Gatsby: not wealth or charm, but hope — the quality that made him impossible to judge and impossible to forget.
The film frames the novel as Nick's recollection, delivered while he is in a sanitarium. That device turns his narration into something confessed and written down rather than simply told, and it explains the searching, retrospective tone.
By the end of the summer Nick is sick of everyone, including himself. Gatsby alone keeps his admiration, because Gatsby's hope strikes him as something rare and unguarded — even after everything that follows.
A doctor, in what plays like a sanitarium or clinic. The older Nick answers questions, and his replies roll into the film's voice-over, blurring the line between interview and memory.
Not really. He says he reserves all judgments, then spends the whole narration judging the people around him. That gap feels deliberate — his tolerance is partly a pose he keeps testing.
The booming 1920s: record stock peaks, bigger parties, looser morals, and Prohibition making liquor cheaper instead of scarcer. Nick is sketching the excess that will eventually collapse.
次のチャプター · 第 2 章have the decencyNick Dines with the Buchanans
再生中 · 第 1 章reserve all judgmentsNick Begins His Story
第 2 章have the decencyNick Dines with the Buchanans
第 3 章sit on the sidelineTom's Secret Apartment Party
第 4 章old sportNick Searches for Gatsby
第 5 章a pack of liesGatsby Tells Nick His Life Story
第 6 章keeps his mouth shutGatsby's Lunch with a Gambler
第 7 章pomp and circumstanceJordan Tells Gatsby's Backstory
第 8 章acting like a little boyGatsby's Awkward Reunion with Daisy
第 9 章If it wasn't forGatsby Shows Daisy His Mansion
第 10 章to your likingTom and Daisy Join Gatsby's Party
第 11 章make a point ofDaisy Wants to Run Away
第 12 章repeat the pastGatsby Refuses to Let the Past Go
第 13 章Have it your own wayGatsby Meets Tom at Lunch
第 14 章Nobody From NowhereTom Calls Gatsby Nobody From Nowhere
第 15 章in our bloodTom Exposes Gatsby at the Hotel
第 16 章pull yourself togetherThe Yellow Car After the Crash
第 17 章keep your voice downGatsby Waits Outside Daisy's House
第 18 章made something of myselfGatsby Keeps Vigil Until Dawn