“Everybody steals from everybody. That's movies.”
Two short sentences shrug off the whole plagiarism fight and land like an ending.
Informal
Capítulo 10 de 17 · 2'25"
Two friends at the bar turn a night out into a film-school argument. Is the Steadicam shot through the Copa in Goodfellas the greatest shot ever — "that was the money" — or is the slow-motion walk in Reservoir Dogs just as good? Someone insists Tarantino "bites everything from Scorsese," and nobody can agree.
Trading Failed Audition Stories
The Great Movie Shot Debate
At the bar, Mike, Rob, and Charles catch up on auditions, parents, and the pilot nobody booked. Then the talk turns to movies: the long Steadicam shot in Goodfellas versus the slow-motion opening of Reservoir Dogs. One side calls the Goodfellas shot 'the money'; the other argues Tarantino steals from Scorsese. They leave to make the party.
The bar scene is a portrait of a certain kind of Los Angeles friendship. The men trade failure stories as jokes — pilots they did not get, a part as Goofy — and the ease of it shows how common disappointment is in their world. Then the conversation becomes a competition about taste, complete with arguments over lighting costs and shot counts. Nobody is really fighting; this is how they spend time. The one line that lands as a thesis is "Everybody steals from everybody. That's movies," which shrugs off the Tarantino-versus-Scorsese quarrel in a single sentence. The scene also quietly sets up the night's plan: a party in the hills with 'beautiful babies,' which is what actually matters to them.
A1–C2 es la escala MCER. Las tarjetas por encima del nivel elegido se atenúan y la reproducción no se pausa en ellas.
“Everybody steals from everybody. That's movies.”
Two short sentences shrug off the whole plagiarism fight and land like an ending.
Informal
“You know what? You gotta admit that did look money.”
He concedes the point and still gets the last word, with money doing all the praising.
Informal
“You figure they'd figure it out by now, right?”
The same verb twice turns a weak hope into a joke about lying to your parents.
Informal
“How can you even compare the two, man?”
One indignant question sums up a film-buff argument: these two are not even in the same league.
Informal
Siguiente · 11cry on cueLa escena: The 'What Do You Drive' Pickup LineFirst their acting careers — pilots that did not get picked up, whether to tell their parents, and a possible role as Goofy. Then the talk turns into an argument about great movie shots.
Both sides are showing off their taste. One calls the long Steadicam shot in Goodfellas 'the money,' while the other prefers the slow-motion walk in Reservoir Dogs and accuses Tarantino of copying Scorsese.
It is slang for the best or most impressive part — here, the shot everyone agrees is worth the hype. It is praise, not about actual cash.
To a party in the hills, thrown by what sounds like a modeling agency. The last line rushes them out so they will not miss it.