“This is ridiculous. You'd think they'd wanna get ahead of this.”
A complaint plus a dry appeal to common sense: you'd think they'd act.
Informal
Capítulo 21 de 21 · 4'34"
The night before publication, the Church refuses even to hear the questions, and the paper turns that refusal into copy. Then the editor steps back to say why the work matters — "this kind of story is why we do this" — before the room confronts why it took so long.
They'd Wanna Get Ahead of This
❝ Monólogo · 11 frases Why We Do This
Hours before the paper goes to press, the Church declines to comment, and a blunt refusal — that it does not even want to know the questions — becomes part of the story. The editor praises the reporting and says such stories are why the work matters, then reminds everyone to return focused on Monday.
The chapter is a newsroom at the edge of publishing, and its real subject is accountability — including the paper's own. The Church's refusal is turned into a weapon: if it will not even learn "what the questions are," the refusal itself is quotable, and the team knows that "that oughta do it." The mood then tightens when someone asks the question aimed inward: "What about us?" and then, "Why didn't we get it sooner?" The editor answers with the speech about stumbling in the dark and a light suddenly turning on, arguing that a story like this "is why we do this," while still noting the blame to go around. The scene ends with the paper admitting it once "buried the story in Metro," which keeps the praise from sounding like absolution.
A1–C2 es la escala MCER. Las tarjetas por encima del nivel elegido se atenúan y la reproducción no se pausa en ellas.
“This is ridiculous. You'd think they'd wanna get ahead of this.”
A complaint plus a dry appeal to common sense: you'd think they'd act.
Informal
“Sometimes it's easy to forget that we spend most of our time stumbling around in the dark.”
A generous reminder that groping in the dark is simply how the work goes.
literary
“Suddenly a light gets turned on, and there's a fair share of blame to go around.”
Light and blame arrive together: the truth lands, and so does the reckoning.
literary
“For me, this kind of story is why we do this.”
A quiet statement of purpose: this kind of story is the whole point.
Neutral
Can I say something here? Sometimes it's easy to forget that we spend most of our time stumbling around in the dark. Suddenly a light gets turned on, and there's a fair share of blame to go around. I can't speak to what happened before I arrived, but, um, all of you have done some very good reporting here. Reporting that I believe is gonna have an immediate and considerable impact on our readers. For me, this kind of story is why we do this. Having said that, Cardinal Law and the Catholic community are gonna have a very strong response to this. So if you need a moment, you've earned it. But I will need you back here Monday morning focused and ready to do your job.
Because the refusal is revealing: Morrisey says the Church does not even want to know the questions, and that line becomes part of the article.
He calls it excellent work with real impact, and says that this kind of story is why they do the job, while noting the Church will respond strongly.
Someone points out they had the pieces — Saviano, Barrett, Geoghan, and the directories — and asks why they did not get the story sooner.
He admits that when the earlier story ran, he was running Metro, that the paper buried it, and that he does not remember it at all.
It is a print term for the part of an article before it continues on an inside page; the editor wants the quote placed somewhere earlier.