“Not in any way to excuse it, but to try and comprehend it.”
It shuts every door into forgiveness before it allows understanding.
Formal
Capítulo 10 de 10 · 2'43"
The surface argument is how to make a film that understands why the men who murdered the athletes did it, "Not in any way to excuse it, but to try and comprehend it." Underneath, the talk asks whether that is moral equivalence, whether each man killed was replaced by worse, and why peace has to be the hard way.
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❝ Monólogo · 7 frases Peace the Hard Way, Not an Easy Road
Several people talk through Munich. One asks how a film allows understanding why the men who murdered the athletes did it, "Not in any way to excuse it, but to try and comprehend it." Another treats the charge of moral equivalence as the brave part, because the movie looks for humanity on both sides. The ending calls it a prayer for peace, but peace the hard way.
The argument is not whether the murders were wrong. The first answer already shuts that door: "Not in any way to excuse it, but to try and comprehend it." A quoted voice says you kill Jews and the world thinks you're animals, and the next line says they will ask about the conditions in our cages. That is the moral equivalence people complained about, and one speaker calls it the bravest thing here, because the movie looks for humanity on both sides. "Every man we killed has been replaced by worse" sits beside "Why cut my fingernails? They'll grow back." "You killed them for the sake of a country you now choose to abandon." The ending is not a celebration of the enemy's death. Towers appear in the quiet last frame, and the speech says there is "no rug big enough to sweep these problems under." Peace, in the last lines, is "peace the hard way": "peace by discovering within yourself your moral high ground."
A1–C2 es la escala MCER. Las tarjetas por encima del nivel elegido se atenúan y la reproducción no se pausa en ellas.
“Not in any way to excuse it, but to try and comprehend it.”
It shuts every door into forgiveness before it allows understanding.
Formal
“Every man we killed has been replaced by worse!”
The passive perfect turns a finished killing into a worse replacement.
Informal
“Why cut my fingernails? They'll grow back.”
A bathroom image shrinks the operation until the effort looks pointless.
Informal
“You killed them for the sake of a country you now choose to abandon.”
The noble motive stays while the person who used it walks out.
Formal
“And you can't-- there's no rug big enough to sweep these problems under.”
He aborts the sentence, then makes the hiding place too small to exist.
Informal
“And so, "Munich" is a prayer for peace, but peace the hard way.”
The prayer is offered and then stripped of every easy reading of peace.
literary
Spielberg: I made the choice because I wanted people to say "Munich" is the context for problems that exist in today's world and basically are threatening to all of us. You know, history is its own reminder of how bad things can get. And if we don't solve these problems, they accumulate. And you can't-- there's no rug big enough to sweep these problems under. And eventually, something is going to happen. And so, "Munich" is a prayer for peace, but peace the hard way. You know, peace by discovering within yourself your moral high ground.
The opening question is how you make a film that allows some understanding of why the men who murdered the athletes did what they did. The next line answers the risk in that question: "Not in any way to excuse it, but to try and comprehend it." Excuse is closed first. Only then is comprehension allowed.
"Every man we killed has been replaced by worse" says each person killed was swapped for someone more dangerous. "Why cut my fingernails? They'll grow back" does not repeat that sentence. Fingernails are the subject: cut them and they return. The image is a comparison. Removal does not stop them coming back.
A speaker says the ending is not celebratory and is not rejoicing in the enemy's death. It is "incredibly quiet," and the Towers show only on a second viewing. The person who shot it says one take left space in the frame because the Towers would be put there. Beside that image, the speech says there is no rug big enough to sweep these problems under.
The line is "Munich is a prayer for peace, but peace the hard way." The following line says what that hard way is: "peace by discovering within yourself your moral high ground." The difficulty is finding a moral stand you can occupy. It is not a remark about a long road.
One speaker says the movie was seen as suffering from a sense of moral equivalence, "which is really the bravest thing about the movie," because it looks for humanity on both sides. The following lines add that ambiguity is not usually tied to Spielberg's films, and that Munich goes furthest in bluntness and ferocity.