“I have nothing to hide.”
A plain claim of innocence lands hard in a room full of guilty faces.
Neutral
Capítulo 11 de 17 · 3'00"
A stranger at the door says he found an abandoned car and asks to use the phone. The household's answers can't keep straight, 'No,' then 'Well, actually, yes,' and he notices. "You all seem to be very anxious about something," he says, before they hustle him into the library.
The Chandelier Excuse and the Cognac Warning
A motorist arrives at the front door of a large house and tells the butler he found an abandoned car near the gates. He asks whether the driver came inside for help. The household stumbles over its answer, then lets him in to use the phone and leaves him in the library.
Nobody at the house wants the stranger inside, and the way they fumble the simplest question gives them away. They insist no one came in, then instantly reverse; the visitor clocking it is what makes the scene tense. "There seems to be some kind of disagreement," he observes, a polite way of saying he doesn't believe a word of it. They steer him away from the phone, park him in the library, and offer a fallen chandelier as the reason for their nerves. The man at the door, meanwhile, keeps testing them: he mentions an abandoned car, the Hoover call, and finally 'murder,' then claims he only said it to get the door opened. Whatever the truth, the panic in the room reads like people guarding a secret.
A1–C2 es la escala MCER. Las tarjetas por encima del nivel elegido se atenúan y la reproducción no se pausa en ellas.
“I have nothing to hide.”
A plain claim of innocence lands hard in a room full of guilty faces.
Neutral
“You all seem to be very anxious about something.”
The visitor does not accuse anyone, yet the observation exposes the whole room.
Formal
“It's the chandelier, fell down and almost killed us.”
The invented excuse is oddly specific, which is exactly what makes it funny.
Informal
“I don't know. He's on everybody else's. Why shouldn't he be on mine?”
He defends the absurd with the logic that everyone else has him, and the deadpan makes it funny.
Informal
Siguiente · 12step by stepLa escena: Wadsworth Reconstructs the EveningThey don't want a stranger inside and don't want questions about what they're hiding. Their answer flips from 'No' to 'Well, actually, yes,' which is exactly what makes the visitor suspicious.
A man who says he found an abandoned car near the gates and needs to use the phone. He later turns the accusations back on the house, threatening to book them for false arrest and even murder.
It's a running joke in the film: the butler acts as if a call from the head of the FBI is routine, 'He's on everybody else's. Why shouldn't he be on mine?'
The household needs to keep him out of the way while it deals with the night's crisis. He pounds on the door and shouts that they have no right to shut him in.