“Drug dealers are like any other businessmen.”
It strips the romance from crime and files it under business as usual.
Neutral
Capítulo 7 de 10 · 4'53"
The Hacienda is packed every night yet never makes money, because the crowd runs on ecstasy, not alcohol — and the cash flows to the dealers. "Drug dealers are like any other businessmen," Tony says, and soon guns follow. At Martin Hannett's funeral, the coffin won't fit the grave, and he sums up: "We're all equal in the grave."
Why the Hacienda Never Made Money
❝ Monólogo · 9 frases A father's confession
He admits his failures as a father and then quietly writes himself out of the lead role.
The Hacienda draws huge crowds but loses money, since the night runs on ecstasy rather than drink, and most of the cash goes to drug dealers. Dealers act like any business, chasing market share and eliminating competition, and violence follows into the club. Later, at producer Martin Hannett's funeral, Tony reflects on his own failings and on death.
The scene is really about a contradiction Tony can't fix: the club is a triumph culturally and a disaster financially, because its success depends on a drug economy he doesn't control. 'Drug dealers are like any other businessmen,' he says, half-joking, and the joke turns literal when violence arrives. His answer — giving the dealers doorman uniforms, borrowing 'keep your enemies closer' from Plutarch — only hands them the door. The second half shifts from business to mortality. At Martin Hannett's funeral, comfort fails, small talk about grapes and mobile phones can't cover the awkwardness, and the coffin literally doesn't fit. 'We're all equal in the grave,' Tony says, then undercuts it: 'Except Martin... who was a huge character.' The film keeps laughing at the very moment it mourns.
A1–C2 es la escala MCER. Las tarjetas por encima del nivel elegido se atenúan y la reproducción no se pausa en ellas.
“Drug dealers are like any other businessmen.”
It strips the romance from crime and files it under business as usual.
Neutral
“I'm a minor character in my own story.”
It is a rare admission that a man is not the hero of his own life.
literary
“We're all equal in the grave.”
A grim proverb that lands harder because the scene has been all about power.
literary
“So huge, his coffin wouldn't fit in his grave.”
It ends a funeral with a punchline, which is exactly how grief and laughter sit together.
Informal
I should have found time to tell you earlier,... ..I did have children with my second wife, Hilary,... ..and there was a time when I was with Lindsay when that was all I wanted... ..and, no, I've not been the best father in the world,... ..yes, I could have been there more than I have,... ..and obviously I've got regrets. But this is not a film about me. I am not Prince Hamlet, nor was meant to be. I'm a minor character in my own story.
Siguiente · 08back downLa escena: Tony Wilson Buys Back the TapeBecause the crowd is there for ecstasy, not alcohol, so the bar doesn't earn. The club pays for the building, staff, DJs and sound system, while most of the cash goes to the dealers who never share it.
He was a producer closely tied to Factory Records and the Manchester sound. At his funeral Tony notes he "had a heart attack," and the coffin that won't fit is his.
On the theory of keeping enemies close, he thinks bringing them inside will let him control the door and the drugs. It backfires, and he admits they end up controlling neither.
It mixes grief with its usual deadpan humour. The reflections are sincere, but the line about Hannett being too big for his grave keeps the scene from turning solemn.
British slang for a joke or teasing. When someone asks a doorman "You're on a wind-up, aren't you?", they mean: you're messing with me, right?