object clause: The that-clause spells out exactly what the speaker cannot promise, keeping the pitch careful.
Now, I can't assure you that your loan will be approved, but I can tell you that any deal Hake, I close.American Hustle · 2013 — Chapter 3 of 20 · 3'02" · B2
A nervous client asks for help with a loan while the person across the desk lays out a nonrefundable fee. The small talk about lunches and a hat barely hides the real question: "Is this messing with your judgement?" Then an identity claim turns the meeting upside down.
A nervous client meets someone about a loan and admits to being desperate. The conversation drifts from a nonrefundable fee to two lunches and a hat, while someone questions whether personal liking is clouding judgment. A cashier's check and talk of Zurich and Paris keep the room busy until a man identifies himself as Richie DiMaso, FBI.
Listen for
nonrefundableadamantmillinermess with your judgement
Phrase of the scene
to cloud or distort your judgment
One person asks whether liking the client is clouding the other's judgment, half warning and half accusation.
Don't let a good first impression mess with your judgement.
not able to be paid back
firm and unwilling to change
a maker or seller of women's hats
do your share and keep the act going
a dry callout of an obvious humblebrag
23 notes across 74 lines
object clause: The that-clause spells out exactly what the speaker cannot promise, keeping the pitch careful.
Now, I can't assure you that your loan will be approved, but I can tell you that any deal Hake, I close.the same goes for my time Literally a comparison about time; here it makes his time sound nonrefundable too.
However, my fee is nonrefundable, just like my time.excellent — Informal praise for quality; avoid it in formal reports.
I just got to say, Mr. Rosenfeld, that Lady Edith was very adamant that you were top-notch.a modestly phrased property brag Literally a small piece of property; here it is a humblebrag about owning Long Island real estate.
I mean, I got the Audis and two boats, and I forgot to mention that I have a little piece of real estate in Long Island.get one for you
I thought maybe he bought it there, and I was gonna get you one, as, like, a memento.In fast speech, gonna blurs and 'get you' runs together; catch the whole phrase as one unit.
I thought maybe he bought it there, and I was gonna get you one, as, like, a memento.why is this such a problem
What's the big deal? That's unusual.a different, unfamiliar side of something
You showed me a whole new side of the city I'd never seen before.relative clause: The clause after city identifies which side of the city the speaker means, with that/which left out.
You showed me a whole new side of the city I'd never seen before.clouding your judgment
Is this messing with your judgement?Keep with your light and put the beat on judgement; the question turns on that word.
Is this messing with your judgement?pass it up to your people Not literally carrying something; it means letting their superiors decide.
Well, take it to your people in London.no rush; go at your own pace
Go ahead, take your time.stay for a while
Stick around for a little bit.conditional without if: The first clause sets up a condition without if; the second delivers the consequence.
You got the wrong office, you're gonna be embarrassed.treat her less harshly
Hey, hey, hey, hey, hey, go easy on her.Let easy on her glide as one sound and keep on weak; don't give her a hard h.
Hey, hey, hey, hey, hey, go easy on her.hold her on a fraud charge On introduces the charge, not the topic.
I may not have you, Irving, but I have her on fraud.pretending to be someone else
Impersonating another individual. On fraud?fraud by using a false identity
Identity fraud?contacts in the banking world
You may be from England, but you're not royal, and you have no banking connections, and that's a felony. You don't have to cuff me up.handcuff me — Police-show talk; too casual for legal writing.
You may be from England, but you're not royal, and you have no banking connections, and that's a felony. You don't have to cuff me up.distance yourself from this man
You got to get away from this guy.The surface is a loan interview, but the room is really a stage for control. The nonrefundable fee sets the rules before any favor is granted: "However, my fee is nonrefundable, just like my time." The long detour about lunches and a hat is not idle small talk; it keeps the nervous visitor talking while the person across the desk tests what the visitor will reveal. The sharp turn comes with "Is this messing with your judgement?" — a question that can sound like concern but also puts someone on notice. When the talk moves to a cashier's check, Zurich, Paris and then an FBI identification, the scene shifts from persuasion to pressure. Every polite line is doing double duty: measuring, stalling, or threatening.
However, my fee is nonrefundable, just like my time.The fee will not be returned once paid; the comparison to time makes the rule sound final and slightly cold.
You showed me a whole new side of the city I'd never seen before.The speaker says the other person showed them a side of the city they had never seen before.
I may not have you, Irving, but I have her on fraud.The speaker admits one target is out of reach, then names another charge to keep leverage.
You got to get away from this guy.A blunt warning to cut ties with the man in the room; in context, it frames him as dangerous.
The rule is set before any deal is made: the fee will not be returned, just as the time spent cannot be returned. It puts the risk on the client and sets the terms of the meeting.
It shows the client left out a detail over two meetings. The line "Two lunches and you never mentioned that" turns a small omission into a pointed callout.
It means the speaker claims to have a legal charge of fraud against the woman. The next lines spell out impersonating another individual and identity fraud.
The visitor says, "I really need your help, I'm desperate," and lists cars, boats and real estate, but the scene never confirms whether every claim is true.
The question challenges whether liking the client is clouding a decision. It is a warning as much as a question, and the reply denies that judgement is affected.
Up next · Chapter 4off the beaten pathThe Jail Cell Confession
Chapter 1last resortLast Resort Loan Pitch
Chapter 2the Picasso of passive-aggressive karateA Sun Lamp Starts a Fight
Watching · Chapter 3mess with your judgementFBI Reveal at the Loan Meeting
Chapter 4off the beaten pathThe Jail Cell Confession
Chapter 5on a first-name basis withEscape Plan Argument Over Danny
Chapter 6quit while you're aheadThe Fake Rembrandt Reveal
Chapter 7out of his leagueThe Deal Gets Too Big
Chapter 8grease someoneA $75,000 Bribe for the Mayor
Chapter 9can't get enough ofGuests Smell Nail Polish, Talk Business
Chapter 10back on its feetThe Atlantic City Pitch
Chapter 11the life of the partyRosalyn Cuts In on the Call
Chapter 12right off the batThe Ocean Room Pitch
Chapter 13keep the upper handCasino Pitch at a Party
Chapter 14falsified my recordsSydney Reveals Her Real Name
Chapter 15get over onI Should've Gone Away With You
Chapter 16get someone on a wireNegotiating the Sherman Suite
Chapter 17let something die to let something liveA Wife Spills Secrets Over Dinner
Chapter 18knock some sense intoIrving Pitches the Two Million Plan
Chapter 19pay somebody offThe Lawyer Takes the Wire
Chapter 20make this rightIrving's Apology Goes Wrong