among the best
This is one of the best streetlights you've ever drawn.Chasing Amy · 1997 — 第 4 / 20 章 · 2'11" · B2
A phone call about a club night turns into a test of who gets to show up. The invitation is casual; the pushback isn't. "You can't go. He's hookin' me up with Alyssa" is less about logistics than about a friend who refuses to be left out — or left behind.
Two friends are at the drawing board, trading jokes about streetlights and Canadian TV, when the phone rings. The caller introduces himself as Hooper and pitches a club night; the answer is a flat no until a name changes it. After hanging up, one of them explains exactly why he is going.
注目の表現
got a weird thing forbarkeephere's the part wheremade abundantly clear
このシーンの表現
set someone up with someone
One friend assumes he is included, but the other shuts that down by saying someone is setting him up with Alyssa.
A good friend can hook someone up with a job interview.
have an odd fondness for
bartender, old-fashioned
this is your cue to say
made completely obvious
sarcastic: you're ridiculous
34 行のセリフに 28 件のメモ
among the best
This is one of the best streetlights you've ever drawn.relative clause: The relative clause after “streetlights” is missing “that”; “ever” with a superlative means “among the best you have drawn.”
This is one of the best streetlights you've ever drawn.on the opposite side of the street from
It's the one from across the street from the post offlce.have an odd fondness for
One friend teases the other about his taste in Canadian melodrama, and the tone is friendly mockery rather than criticism.
You got a weird thing for Canadian melodrama.a party is happening
Hooper here. Listen, I know how you 'burb flends hate the city, but there's a club shindig goin' down tonight I think you'd really get into.would really enjoy not physically enter; to enjoy or become involved
Hooper here. Listen, I know how you 'burb flends hate the city, but there's a club shindig goin' down tonight I think you'd really get into.content clause: The “how” clause is a statement, not a question, so the verb order stays “you hate.”
Hooper here. Listen, I know how you 'burb flends hate the city, but there's a club shindig goin' down tonight I think you'd really get into.The dropped g in “goin'” runs straight into “down”; keep the beat light.
Hooper here. Listen, I know how you 'burb flends hate the city, but there's a club shindig goin' down tonight I think you'd really get into.working temporarily as barkeep means bartender
- Where is it? - Meow Mix. I'm temping as barkeep.getting the next issue ready issue means one edition of a publication
We're prepping the next issue. We got that stupid meeting in the morning.start and finish with
How do you begin and end a question with the same word like that?Let “and” shrink to a soft n and link the two verbs.
How do you begin and end a question with the same word like that?this is your cue to say
After dropping Alyssa's name, the caller cues the next line like a scriptwriter, sure that the answer will be yes.
She asked me to invite you. Now, here's the part where you say...asked me to go to a club
- Who was that? - Hooper. He invited me to a club.girls/women, dated slang — Dated, casual and often sexist; avoid it in formal or respectful contexts.
Man, when's that faggot gonna learn? You like chicks.not that type of place
- Not that kind of club. - So when we leavin'?setting me up with not hanging up; arranging an introduction
We? You can't go. He's hookin' me up with Alyssa.ruin it
- And? - And I don't want you messing it up.stuff; crap — Casual profanity among friends; keep it out of formal settings.
I care about your shit. Maybe I'll hook up myself.sarcastic: you're ridiculous
One friend refuses to take the other along, and the reply dresses up a mock-formal question about how one man gets to be so funny, so it sounds like praise but lands as mockery.
How does one man get to be so funny?how will you get home
Look, how you gonna get home when I hook up, huh?get with someone — Casual talk about romance or sex; use clearer wording in formal contexts.
Look, how you gonna get home when I hook up, huh?my foolish old friend
Someone doubts the other's chances, and the reply uses an old-novel style insult that sounds like banter between friends.
- Like that'll happen. - Let me explain, my witless chum.that's not going to happen — Sarcastic brush-off among friends; too dismissive for formal use.
- Like that'll happen. - Let me explain, my witless chum.had a brief intimate connection
Someone stumbles through an explanation of that night with Alyssa, using a vague phrase that sounds both nervous and sincere.
The other night, we two, Alyssa and I, we, uh, well, we shared a moment.Let the d in “shared” slide into “a”; stress “moment.”
The other night, we two, Alyssa and I, we, uh, well, we shared a moment.made completely obvious
A small “moment” is dressed up as a major revelation, with “made abundantly clear” closing the sentence like an official announcement.
And in that moment, one thing was made abundantly clear.passive voice: The passive moves “one thing” to the front and makes the point sound like a formal conclusion.
And in that moment, one thing was made abundantly clear.A club invitation becomes a fight about access: to the night, to the girl, to the friend's attention. "We? You can't go. He's hookin' me up with Alyssa" draws a line, and the answering "I care about your shit. Maybe I'll hook up myself" walks straight through it. The dry "How does one man get to be so funny?" lands as mock praise before the register flips. The stammered "we, uh, well, we shared a moment" is somebody auditioning his own romantic comedy, repeating the phrase until it sounds like evidence, and "This girl loves me, my friend" lands as a pitch rather than a report. Her side is never heard in the scene; one man has a memory of an evening and a lot of confidence.
How do you begin and end a question with the same word like that?Mock-amazed at 'Alyssa from last night Alyssa?', where the same name opens and closes the question — the joke is the phrasing, not the answer.
I care about your shit. Maybe I'll hook up myself.First claims solidarity, then shows the real reason: he wants a night out too and refuses to be left at home with the drawing board.
How does one man get to be so funny?Dry sarcasm in the back-and-forth: the polite-sounding question actually means the other person is being ridiculous, not funny.
The other night, we two, Alyssa and I, we, uh, well, we shared a moment.A hedged, stammering claim that something romantic passed between them — vague enough that nobody can check it.
And in that moment, one thing was made abundantly clear.Winds up a grand announcement over a small moment; the phrasing promises a revelation before the punchline arrives.
He isn't invited, and the flat "You can't go" makes that clear. His "So when we leavin'?" is him inviting himself along; the refusal only makes him push harder.
Setting someone up romantically. "He's hookin' me up with Alyssa" means an introduction is being arranged, which is why bringing a friend along becomes a problem.
The scene never shows her. Everything about her feelings comes from one man's account — "we shared a moment" and "This girl loves me" — offered with no detail of what was said or done.
No. It sounds like praise, but in context it is dry sarcasm: the other person's confidence is being treated as ridiculous, not genuinely funny.
次のチャプター · 第 5 章small worldStrangers Discover a Small World
第 1 章station in lifeComic Signing Turns Into a Fight
第 2 章chickens come home to roostComic Panel Erupts Over Star Wars
第 3 章beyond the shadow of a doubtArguing About Archie at the Bar
再生中 · 第 4 章hook someone upHooper Invites Him to Meow Mix
第 5 章small worldStrangers Discover a Small World
第 6 章baggageBanky Grills the Group About Sex
第 7 章up close and personalThe Virginity Definition Debate
第 8 章throw down the gauntletTwo Friends Fight Over Alyssa
第 9 章queer our friendshipThe Confession That Risks Friendship
第 10 章the other shoe's gonna dropFriends Argue Over Couch and Romance
第 11 章on my own termsWhy Me, Why Now Monologue
第 12 章pulling your chainFinger Cuffs Argument
第 13 章barkin' up the wrong treeComic Signing Advice on Alyssa
第 14 章badgering a witnessBasketball Game Turns Into Interrogation
第 15 章lay a guilt trip on someoneHolden Faces a Public Confession
第 16 章has a pastFriends Tease Him About Alyssa
第 17 章drops the bomb on meBob's Chasing Amy Monologue
第 18 章kill two birds with one stoneThe Threesome Proposal
第 19 章hung up onShe Refuses a Threesome Proposal
第 20 章better off withoutA Fan Grills a Comic Artist