“God, what a surprise. I cannot get over it. My ex-husband.”
Two shocked fragments then the plain label, which lands like a dropped plate.
Informal
Capítulo 19 de 23 · 2'25"
On the street, Mary runs into her ex-husband, Jeremiah, and Isaac watches the reunion. Afterward Isaac discovers that the man he imagined as a seducer is small and ordinary, and his jealousy comes out as a joke. Back home, the two argue about whether writing movie novelisations is beneath her.
Mary Runs Into Her Ex-Husband Jeremiah
Walking in the city, Isaac and Mary run into her ex-husband Jeremiah, who is in town for a semantics symposium. After the friendly hellos, Mary is shaken, and Isaac is surprised to find the man he had pictured as a seducer is small and unremarkable. Later they argue about her writing novelisations.
The scene is about the gap between the picture we carry of someone and the person we meet. Mary has described her ex-husband as a seducer, so Isaac is ready to feel inferior, and then Jeremiah turns out to be a small man in town for a semantics conference. Isaac's response is jealousy disguised as a joke: "I was shocked cos that's not what I expected," he says, and then, "it's amazing how subjective all that stuff is." The other thread is the writing argument at the typewriter. Isaac calls movie novelisations "another contemporary American phenomenon that's truly moronic" and tells her she is "much too brilliant for that." It sounds like praise, but it is also him deciding what she should do with her talent. The scene ends with flattery and a fight at the same time.
A1–C2 es la escala MCER. Las tarjetas por encima del nivel elegido se atenúan y la reproducción no se pausa en ellas.
“God, what a surprise. I cannot get over it. My ex-husband.”
Two shocked fragments then the plain label, which lands like a dropped plate.
Informal
“Well, it's... it's amazing how subjective all that stuff is.”
She escapes the question by turning it into a comment on perception itself.
Neutral
“The novelisations of movies. You're much too brilliant for that.”
He insults the whole industry and compliments her in the same breath.
Neutral
“I always was a sucker for Germanic theatre.”
Admitting a weakness with "sucker for" makes an old passion sound charming and a little silly.
Informal
Siguiente · 20balk atLa escena: Isaac Confronts His Ex-Wife's MemoirMary's ex-husband, who she once described as a ladies' man. He is in town for a semantics symposium, and the meeting rattles both of them.
He expected a rival who was handsome and devastating, and instead found a small, ordinary man. His surprise comes out as both relief and mockery.
He calls movie novelisations a moronic American phenomenon and tells Mary she is too brilliant for the work. It is praise that also decides what she should value.
She says it is easy and it pays well. She is being practical rather than ambitious, which is exactly what irritates Isaac.
Fiction. He says he has seen her fiction and it is terrific, so the argument turns into an argument about her potential.