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The Trip · 2011 — 第 10 / 20 章 · 4'52" · B2

Turned Away at Dove Cottage, Explained：not unlike

A late arrival at a closed literary cottage turns a quiet visit into a standoff. The woman at the door explains that "these are the rules," and while one of the men is ready to fume, the other grants her "in all fairness" a reason: she's probably grieving.

あらすじ

Steve Coogan and Rob Brydon arrive late to Dove Cottage, the former home of Coleridge, and are refused entry by a woman closing up. She apologizes but insists the rules are the rules, and the two men drive off arguing about whether she was being unreasonable, then drift into a bizarre riff about heroin and the poet.

ArgumentsAsking for helpComplainingAskingFriendsB2mediumbritish
IMDb ↗

注目の表現

in all fairnessa hell of a laughmy doingnot unlike

00:00 / 04:52
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このシーンの表現

not unlike

quite similar to

史蒂夫看着墙上柯勒律治的画像，拐着弯说照片里的人跟罗布还挺像，一句轻描淡写就把损人的话递了出去。

The village is not unlike the one where I grew up.

このシーンの他の表現

  • in all fairness

    to be fair to everyone involved

  • a hell of a laugh

    extremely funny or entertaining

  • my doing

    caused by me

  • make it out to

    to write a dedication to someone

このシーンのメモ一覧

101 行のセリフに 35 件のメモ

表現 · B1these are the rulesI'm really sorry, sir, but these are the rules.
表現 · B2it wouldn't be fair on someoneYes, I know, but that really wouldn't be fair on all the other latecomers.
文法 · B2wouldn't be fair on

wouldn't for a hypothetical

Yes, I know, but that really wouldn't be fair on all the other latecomers.
表現 · B1not at the momentNo, I know. Not at the moment, but...
発音at the moment

liaison

No, I know. Not at the moment, but...
表現 · B1get stuck in trafficWell, that's... because I got stuck in traffic.
表現 · B1have a little look at somethingWe just wondered if we could pop inside and have a little look at the cottage.
表現 · A2do something for someoneWould you do something for me?
表現 · B1it depends what ...Depends what it is.
表現 · B1what do you sayWhat do you say?
発音do you

weak form

What do you say?
文法 · B1have to be like that

have to for obligation

Why do people have to be like that?
表現 · B2in all fairness

to be fair to everyone involved

It is only open for another half an hour, and that woman, in all fairness, is probably bereaved.
表現 · A2it's not someone's faultYeah, but why... it's not my fault her husband's dead.
表現 · C1seek out somethingOld people, at some time... not all old people, but a lot of them... seek out aggravation.
表現 · B1total rubbishOh, that's total rubbish.
表現 · C1not unlike something

quite similar to

Looks not unlike yourself in that picture.
表現 · B1the trouble with someoneThat's the trouble with you, Rob.
表現 · B2be open to somethingYou're not open to new experiences.
文法 · C1would have been imbibing

would have been + -ing

That's not what Coleridge would have been imbibing.
スラング · B2spliffHe wouldn't have been having a spliff, would he?
文法 · C1if they'd have been around

past perfect in a conditional clause

He would have definitely partaken if they'd have been around.
表現 · B2pay tribute to someoneIf you really want to pay tribute to him, you should be having some opium.
スラング · B2junkieI'm not a junkie, Rob.
表現 · B2become hooked on somethingI'm not encouraging you to become hooked on heroin.
表現 · B2for a laughI don't know. For a laugh.
表現 · B2a hell of a ...

extremely funny or entertaining

Ha-ha. It was a hell of a laugh.
表現 · B2something is someone's doing

caused by me

Aye. That was my doing, that was.
表現 · B2a cracking ideaCracking idea.
スラング · B2CrackingCracking idea.
表現 · B1do someone a favourYeah, listen, do us a favor, would you?
表現 · B2make something out to someone

to write a dedication to someone

- Yes, of course. - Make it out to Paul.
発音Make it out

flap

- Yes, of course. - Make it out to Paul.
表現 · B1a bit of a ...That you're a bit of a cunt.
スラング · C1cuntThat you're a bit of a cunt.

「Turned Away at Dove Cottage」を読み解く

What's really going on

The scene is a small lesson in how two people can watch the same moment and come away with opposite readings. One sees a jobsworth blocking a simple request and mutters, "Why do people have to be like that?"; the other answers with "in all fairness," pointing out the woman is probably bereaved and the cottage shuts in half an hour. Neither is simply right, and the disagreement is really about temperament: one wants to be indulged, the other wants to be reasonable. The later riff about Coleridge and heroin pushes the same tension further, joking about experience and self-control, until someone is bluntly told, "You're not open to new experiences."

Theme

Dark humorThe Coleridge-and-heroin riff turns a poet's legacy into a joke about getting high.
FriendshipTheir bickering over the woman shows how differently two friends read the same moment.

このチャプターで学べること

  • These are the rules as a polite wall
  • Stuck in traffic as a late excuse
  • Get off as British for falling asleep

発音のポイント

  • at the moment — liaison
  • do you — weak form
  • Make it out — flap
I'm really sorry, sir, but these are the rules.

A polite but final refusal: the apology softens the words without leaving any room to argue.

Why do people have to be like that?

A frustrated complaint after the refusal, aimed at the woman's strictness rather than at any actual harm done.

Looks not unlike yourself in that picture.

A deliberately soft comparison: not unlike means quite similar, an understated way of saying the portrait looks like him.

You're not open to new experiences.

A teasing diagnosis for someone who won't try anything, turning a tiny choice into a joke about his whole character.

このシーンについての質問

Why won't the woman let them into Dove Cottage?

The cottage closes in half an hour, and letting latecomers in wouldn't be fair to other visitors. She also seems to be grieving, which the men only notice in hindsight.

Who is right about the woman at the door?

The film doesn't settle it. One man reads her as needlessly rigid, the other as a bereaved person doing her job, and the point is that both readings are plausible.

Why do they start talking about heroin and Coleridge?

It begins as a joke about what the poet might have taken and spirals into a riff about experience, addiction and living dangerously, which is really about their own cautious lives.

What does the autograph scene show?

Fans recognize them by their comedy characters rather than their names, and one asks for a signature on a paper that insults him, which lands as both funny and a little sad.

スティーヴとロブのグルメトリップ · 全 20 章

すべて見る →
次のチャプター · 第 11 章at first lightSteve and Rob's Costume Drama
第 1 章have someone down asSteve and Rob Set Off第 2 章part of its charmSteve and Rob Share a Room第 3 章take a long, hard look in the mirrorThe Michael Caine Impression Duel第 4 章in a troughSteve Calls From the Trough第 5 章put someone on the back footCalls on the Road to Cartmel第 6 章the king of understatementBond Impressions Over Dinner第 7 章living the dreamTelling Steve He's Living the Dream第 8 章method in my madnessSteve and Rob at Greta Hall第 9 章contend withSteve and Rob Rank Their Careers再生中 · 第 10 章not unlikeTurned Away at Dove Cottage第 11 章at first lightSteve and Rob's Costume Drama第 12 章not a lot of people knowThe Michael Caine Impressions第 13 章Cut to the chaseSteve Takes His Agent's Call第 14 章don't come running to meShushed on the B Roads第 15 章a wee bitA Phone Call by the Lake第 16 章an albatross around my neckCoogan and Brydon Compare Careers第 17 章as empty experiences goDad Phones Joe About Drinking第 18 章stick the knife inMock Eulogy at the Grave第 19 章if push came to shoveHiring Divers for the Gesture第 20 章as broad as it's longSteve Leaves His Parents
第 10 / 20 章 · 残り約 51 分