“The burden of proof's on the prosecution.”
Por qué es buena
One legal line settles who must prove what, and the whole film's reasoning starts here.
Registro
Formal
Úsala tú
The burden of proof's on whoever makes the claim.
00:00 / 04:54
00:00 / 04:54
The Jurors Go Around the Table, Explained
12 Angry Men · 1957
Capítulo 3 de 17 · 4'54"
The jury takes its first vote and then goes around the table, one man at a time. Some want to convict without a reason, one cites the proof rule only after the holdout forces the issue, and a single dissenting vote keeps the room from ending it.
Key moments
Start here, then watch the full scene- 0:02–0:27
Jurors Clash Over Prejudice
25s - 1:27–1:51
The First Juror Explains His Vote
24s - 2:01–2:33
❝ Monólogo · 11 frases Juror 4 lists the facts
He lays the case out in numbered steps, from the old man downstairs to the coroner's time of death.
32s - 2:46–3:52
The Witnesses and the Flimsy Alibi
67s
The Jurors Go Around the Table, explained
What happens
In the jury room, the men agree to explain themselves one by one around the table. A few argue from prejudice, others try to sound reasonable; one man insists the boy is guilty but cannot say why, and another reminds the room that the burden of proof rests with the prosecution. By the end of the round, most still vote guilty.
What's really going on
The scene is about the difference between a hunch and an argument. Asked to say why they believe the boy guilty, several jurors discover they have nothing but a feeling, and the man who first answers, "I just think he's guilty," speaks for most of the room. Against that, one juror restates the rule the trial turns on: "The burden of proof's on the prosecution." The other thread is prejudice, aired plainly when a juror says you can't believe "them," and turned back on him with "How come you believe the woman's?" The jury is not weighing evidence yet; it is discovering which of its members can give a reason and which are only certain.
Key lines & what they mean
- “The burden of proof's on the prosecution.”
- The rule that decides the whole film: the state must prove guilt beyond doubt, and the defendant never has to prove innocence.
- “Do you think you were born with a monopoly on the truth?”
- A charge of arrogance aimed at a juror who treats his own certainty as proof; the line turns the argument from the defendant's guilt to the speaker's bias.
- “You don't believe the boy's story. How come you believe the woman's?”
- The reversal that exposes prejudice: the same juror who dismisses the defendant as a liar accepts the witness who says he did it.
- “I have this habit of doodling. Keeps me thinking clearly.”
- A juror's offhand remark while he sketches ad copy, showing how unseriously some of the men are treating the verdict.
Theme
- Justice — A murder verdict is argued out loud, and the scene keeps returning to one legal rule: guilt must be proven, not assumed.
- Trust — The jurors disagree about which witnesses to believe, and one man's willingness to trust the accused splits the room.
Qué aprendes en este capítulo
Puntos de enseñanza
Repasa justo después de verMi nivel1/6
A1–C2 es la escala MCER. Las tarjetas por encima del nivel elegido se atenúan y la reproducción no se pausa en ellas.
Puntos de lengua
Toca una tarjeta para saltar a ese momentoFrases de oro
Una gran frase en sí misma: por qué y cómo usarla“Do you think you were born with a monopoly on the truth?”
Por qué es buena
The question hands a man's own arrogance back to him, sharper than any insult.
Registro
Informal
Úsala tú
Do you think you were born with a monopoly on good taste?
“You don't believe the boy's story. How come you believe the woman's?”
Por qué es buena
Placing the two testimonies side by side exposes the double standard in one breath.
Registro
Informal
Úsala tú
You doubt my report but not his. How come?
“I have this habit of doodling. Keeps me thinking clearly.”
Por qué es buena
A small personal habit explains his behavior better than any excuse could.
Registro
Neutral
Úsala tú
I have this habit of walking while I think.
Monólogo
Un personaje sostiene la escena: practícalo entero❝ Juror 4 lists the facts
The old man lived downstairs under the room where the killing took place. he heard loud noises, said it sounded like a fight. And he heard the kid yell out, "I'm gonna kill ya." A second later, he heard a body hit the floor. Ran to the door, opened it up... saw the kid running down the stairs and out of the house. Called the police. They came in, found the old man with a knife in his chest. The coroner fixed the time of death around midnight. Now these are facts. You can't refute facts. The kid is guilty.
He lays the case out in numbered steps, from the old man downstairs to the coroner's time of death.
Siguiente · 04breaking pointLa escena: Juror 5 Stands Up to a BigotIdeas clave
Lo que te llevas- The state must prove guilt, not the accused prove innocence.
- One juror's certainty is exposed as mere confidence.
- Facts recited in order can still hide a double standard.
- A weak story can collapse under its own holes.
Preguntas frecuentes
La pregunta, luego la fraseWhy do the jurors go around the table one by one?
They want to find out why one juror voted not guilty. Going in order forces each man to state a reason aloud instead of shouting over each other.
Why does the first juror struggle to give a reason?
He insists the boy is guilty but admits it is hard to put into words, which exposes the whole problem: many of them have no real argument, only a feeling.
What does "the burden of proof's on the prosecution" mean here?
It is the legal rule the holdout keeps returning to: the state must prove guilt, and the defendant does not have to prove innocence.
Why does one juror question the woman's testimony but not the boy's?
The question, "How come you believe the woman's?", turns the bigot's own reasoning back on him: he accepts one witness and rejects the other for no better reason than prejudice.
Who is the man doodling at the table?
He is an advertising man sketching a campaign line, Rice Pops' "breakfast with the built-in bounce," which shows how casually he is treating a murder trial.