映画の名独白を、一文ずつ
169 本の映画から本物の独白 2,171 本。一文再生して、止めて、声に出す。
- 1通し：まず一度聞く
- 2シャドーイング：一文ずつ繰り返す
- 3ブラインド：聞いてから文字を見る
- B211 行
Hey, Doc Howard. Ben Stone calling.
The voicemail rantKnocked Up · 2007He starts with his name and ends hoping the plane crashes, so the threat collapses into panic. - B29 行
You're poorer than any of these people that you call scum.
Grandpa's verdict on KirbyYou Can't Take It with You · 1938It builds from poorer to failure to a single tear, taking Kirby's whole life apart in one breath. - B26 行
Now look, Walter. You can't be sure of killing a man...
Keyes's theoryDouble Indemnity · 1944He walks from doubt to the only method, making a murder sound like a procedure. - B212 行
You've taken a city that's been graft-ridden for 40 years...
Walter's grand pitchHis Girl Friday · 1940A rapid run of promises turns a newspaper scoop into a revolution and a career. - B25 行
You're too easy on yourself. Don't you see?
Isaac's moral lectureManhattan · 1979Five sentences build from small self-deception to public betrayal without pausing for breath. - B220 行
Dear friends, thank you for the $50,000.
Letter to his handlerBreach · 2007It never pleads; it negotiates, warns, and quietly asks for a way out. - B25 行
It was all a game I made up,
Lucy's dream confessionThe Ghost and Mrs. Muir · 1947It drifts from a light disclaimer into a quiet confession, gathering weight line by line. - B26 行
I went to this Quaker wedding once.
The Quaker WeddingBefore Sunrise · 1995A wedding memory builds step by step; the flat ending makes the long silence funny. - B25 行
Why do you never wonder if Parris be Is the accuser always holy now?
Proctor's OutburstThe Crucible · 2014He moves from question to charge to verdict in one breath, naming revenge as the real law. - B28 行
How are you in love? Tell me about that.
Pat on his love for NikkiSilver Linings Playbook · 2012The more sincerely he describes the marriage, the more controlling it sounds. - B210 行
Even in the most harmonious households, such as ours...
Humbert's rules speechLolita · 1962It builds from a happy household to duty and rules, dressing a private grudge as common sense. - B27 行
And anyway, there is something to be said About moving through it And focusing on us and not on the affair.
The case for stayingThe Intern · 2015Each line props up the marriage a little more, until 'part of me was expecting this' gives the whole argument away. - B26 行
Don't get too big on me. Just don't bust my balls.
Billy brings up the old daysGoodFellas · 1990He moves from don't tease me to the shine box, smiling while naming Tommy's deepest wound. - B24 行
If this got out
Barbie in Los Angeles, if this got outBarbie · 2023Leak, life-size, walking the streets: each clause makes the disaster bigger. - B27 行
That I'm a fuckin' orphan? No, you don't wanna hear that. - I didn't know that. I didn't know that.
Will's outburstGood Will Hunting · 1997He flings his childhood wounds at her one by one, using rage to guard what is left of his pride. - B210 行
I'm gonna take a leave from Taggart Transcontinental.
Dagny lays out her takeoverAtlas Shrugged: Part I · 2011She lists her terms in order, never letting her brother's interruptions break the rhythm. - B215 行
Good evening, ladies and gentlemen. Thank you. I have some sad news for you.
Tony's opening monologueThe King of Comedy · 1982The deadpan delivery of an absurd black joke turns a routine opening into a controlled tease. - B26 行
I didn't know where I was going. I just had to get out of there.
Joe's escapeSunset Boulevard · 1950Six voice-over lines move from suffocation to noise, painting a whole room of hopeful failures. - B26 行
He's got a passion for hard-boiled eggs. Did you know?
Pam on BobbyThe Uninvited · 1944A joke about the dog quietly turns into a wish to have met sooner. - B218 行
These two have no idea...
Poker-table voiceoverRounders · 1998It turns poker reading into a nature documentary, making the tourists look like prey before they even play. - B27 行
Pay attention, now.
Harlan uses the family as leverageKnives Out · 2019He names the mother with no papers, then locks Marta into one unarguable drill. - B212 行
You see, we are both fugitives in our own way.
Gordon on wearing a maskV for Vendetta · 2006He moves from a wry joke to a confession of years spent hiding, and lands it quietly. - B24 行
It's no coincidence.
Why he bought the houseThe Great Gatsby · 2013Four beats drop the mask: coincidence, then the house, the parties, the tea. - B212 行
Right now everything is great. Everyone is happy. Everyone is in love.
Harry's marriage warningWhen Harry Met Sally... · 1989The speech slides from everyone-is-in-love to screaming over furniture, building by exaggeration.